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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    430 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    380 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 95 matching records exist across the two collections.

Results for "Figures Near the Ruins of a Corinthian T"12 records

Institutions answered newest-first by record, interleaved

Fragment of Archivolt with a Corinthian Capital by an unrecorded maker, The Metropolitan Museum of Art

Fragment of Archivolt with a Corinthian Capital

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

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The MetSimilar
An Inhabited Ruin on the Bank of a River by Jan van de Velde II, The Metropolitan Museum of Art

An Inhabited Ruin on the Bank of a River

Jan van de Velde II (d. 1641)

ca. 1630–40 · Pen and two shades of brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink, possibly by the artist

Cleared · Public Domain

live
The MetSimilar
Plate 4: a Corinthian capital on the ground, a monument with figures in low relief, various animals and two shepherds, from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

Plate 4: a Corinthian capital on the ground, a monument with figures in low relief, various animals and two shepherds, from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1643–48 · Etching

Cleared · Public Domain

live
The MetSimilar
A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1646 · Etching; fourth state of nine (Talbierska)

Cleared · Public Domain

live
The MetSimilar
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Giovanni Battista Piranesi (d. 1778)

mid-18th century · Etching

Cleared · Public Domain

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The MetSimilar
St. Stephen's Walbrook, plate 90 from "Microcosm of London" by Thomas Rowlandson, The Metropolitan Museum of Art

St. Stephen's Walbrook, plate 90 from "Microcosm of London"

Thomas Rowlandson (d. 1827)

November 1, 1809 · Hand-colored etching and aquatint

Cleared · Public Domain

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The MetSimilar
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24)

Joseph Mallord William Turner (d. 1851)

January 1, 1811 · Etching and mezzotint; third state of four

Cleared · Public Domain

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The MetSimilar
Erechtheion, Athens (62. Athènes. 1842. T. de Minerve Poliade.) by Joseph-Philibert Girault de Prangey, The Metropolitan Museum of Art

Erechtheion, Athens (62. Athènes. 1842. T. de Minerve Poliade.)

Joseph-Philibert Girault de Prangey (d. 1892)

1842 · Daguerreotype

Cleared · Public Domain

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The MetSimilar
Ruins in Carey Street, Richmond by Thomas C. Roche, The Metropolitan Museum of Art

Ruins in Carey Street, Richmond

Thomas C. Roche (d. 1895)

1865 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Restes d'un Temple qu'on croit etre de Venus et Cupidon prés de Sainte Croix de Jerusalem, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Restes du Portique du Temple de la Concorde, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple de Minerve Medica prés la Porte Majeure, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

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