Fragment of Archivolt with a Corinthian Capital
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
430 ms. The Metropolitan Museum of Art, Collection API (Open Access)
380 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 95 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Fragment of Archivolt with a Corinthian Capital
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
live
An Inhabited Ruin on the Bank of a River
Jan van de Velde II (d. 1641)
ca. 1630–40 · Pen and two shades of brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink, possibly by the artist
Cleared · Public Domain
live
Plate 4: a Corinthian capital on the ground, a monument with figures in low relief, various animals and two shepherds, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1643–48 · Etching
Cleared · Public Domain
live
A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1646 · Etching; fourth state of nine (Talbierska)
Cleared · Public Domain
live![Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London) by Giovanni Battista Piranesi, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP105208.jpg)
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Giovanni Battista Piranesi (d. 1778)
mid-18th century · Etching
Cleared · Public Domain
live
St. Stephen's Walbrook, plate 90 from "Microcosm of London"
Thomas Rowlandson (d. 1827)
November 1, 1809 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24)
Joseph Mallord William Turner (d. 1851)
January 1, 1811 · Etching and mezzotint; third state of four
Cleared · Public Domain
live
Erechtheion, Athens (62. Athènes. 1842. T. de Minerve Poliade.)
Joseph-Philibert Girault de Prangey (d. 1892)
1842 · Daguerreotype
Cleared · Public Domain
live
Ruins in Carey Street, Richmond
Thomas C. Roche (d. 1895)
1865 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Restes d'un Temple qu'on croit etre de Venus et Cupidon prés de Sainte Croix de Jerusalem, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Restes du Portique du Temple de la Concorde, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Minerve Medica prés la Porte Majeure, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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