
Guests at a Banquet
Nina de Garis Davies (d. 1965)
1920–1921; original ca. 1386–1330 BCE · Tempera on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
213 ms. The Metropolitan Museum of Art, Collection API (Open Access)
453 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 523 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Guests at a Banquet
Nina de Garis Davies (d. 1965)
1920–1921; original ca. 1386–1330 BCE · Tempera on paper
Cleared · Public Domain
live
Study of a Man with Hands in His Pockets
Gustave Caillebotte (d. 1894)
1893 · Drawing, black chalk on Arches modern laid paper
Cleared · CC0
live
Baron Schwiter (Louis Auguste Schwiter, 1805–1889)
Eugène Delacroix (d. 1863)
1826 · Lithograph on chine collé; only state
Cleared · Public Domain
live
Folio 94 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and the rishi Bhishmottaranirgosha (recto); text (verso)
Unrecorded maker
1000–1100s · Painting, gum tempera and ink on palm leaf
Cleared · CC0
live![[The Artist, His Mother, and Friends in Fishing Garb] by Olympe Aguado de las Marismas, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP139574.jpg)
[The Artist, His Mother, and Friends in Fishing Garb]
Olympe Aguado de las Marismas (d. 1894)
ca. 1860 · Albumen silver print from glass negative
Cleared · Public Domain
live
Pierre Bonnard
Odilon Redon (d. 1916)
1902 · Print, lithograph
Cleared · CC0
live
Albert (René) Grenier (1858–1925)
Henri de Toulouse-Lautrec (d. 1901)
1887 · Oil on wood
Cleared · Public Domain
live
Radha's hair being dressed
Unrecorded maker
c. 1790–1800 · Painting, Gum tempera with touches of color on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait
Charles Angrand (d. 1926)
1892 · Conté crayon (graphite border on all edges) on white laid paper mounted on board
In copyright
live
John the Baptist Being Carried to Zacharias
Francesco Granacci (d. 1543)
c. 1510 · Painting, tempera and oil with gold on wood
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Henry O. Tanner
Charles Grafly (d. 1929)
1896 · Painted plaster
In copyright
live
Roger Marx
Odilon Redon (d. 1916)
1904 · Print, lithograph on China paper laid on wove paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.