
Openwork furniture plaque with a striding sphinx
Unrecorded maker
ca. 9th–8th century BCE · Ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1180 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Openwork furniture plaque with a striding sphinx
Unrecorded maker
ca. 9th–8th century BCE · Ivory
Cleared · Public Domain
live
Finial with nemes and crowned figure, probably Osiris
Unrecorded maker
2nd–3rd century CE · Bronze
Cleared · Public Domain
live
Bird Staff Head
Unrecorded maker
1–1000 CE · Gold
Cleared · Public Domain
live
Incense burner
Unrecorded maker
ca. 1530–40 · Bronze
Cleared · Public Domain
live
Incense burner
Unrecorded maker
ca. 1550 · Bronze
Cleared · Public Domain
live
Standing Cup and Cover Supported by an Enchained Turk
Unrecorded maker
ca. 1705–11 · Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint.
Cleared · Public Domain
live
Longcase clock
Hermann Achenbach (d. 1825)
ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel
Cleared · Public Domain
live
Egyptomania candelabrum (one of a pair)
Alexis Decaix (d. 1811)
ca. 1802–6 · Gilded bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Finial for a Ceremonial House
Unrecorded maker
late 19th–early 20th century · Wood, cowrie shells, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Roof Finial
Unrecorded maker
19th–early 20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Finial from a Ritual Staff (Tungkot Malehat)
Unrecorded maker
19th–early 20th century · Copper alloy, resin, brass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hampatong (figure)
Ngadju or Ot Danum artist
19th–early 20th century · Wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.