
Fire, a flotilla on fire in center and to the right, two boats full of people to left, from "The Four Elements" (Les Quatre Eléments)
Stefano della Bella (d. 1664)
ca. 1645–50 · Etching; first state of three
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
739 ms. The Metropolitan Museum of Art, Collection API (Open Access)
337 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 861 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fire, a flotilla on fire in center and to the right, two boats full of people to left, from "The Four Elements" (Les Quatre Eléments)
Stefano della Bella (d. 1664)
ca. 1645–50 · Etching; first state of three
Cleared · Public Domain
live
Cheval fire screen
Thomas Chippendale (d. 1779)
ca. 1755–60 · Mahogany, wool knotted-pile panel (not original to the screen)
Cleared · Public Domain
live
Fire screen (Écran) (part of a set)
Jean-Baptiste-Claude Sené (d. 1803)
1788 · Carved, painted and gilded walnut; modern cotton twill with silk embroidery
Cleared · Public Domain
live
Fire screen (écran)
Georges Jacob (d. 1814)
ca. 1786 · Carved, gilded and silvered beech; 18th-century silk brocade (not original to frame)
Cleared · Public Domain
live
Fire at sea
Clarkson Stanfield (d. 1867)
1820–46 · Watercolor and gouache (bodycolor) on beige paper
Cleared · Public Domain
live
Fighting a Fire
William P. Chappel (d. 1878)
1870s · Oil on slate paper
Cleared · Public Domain
live
Camp Fire
Winslow Homer (d. 1910)
1880 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moral Emblems: Fire and Water
Etienne Delaune (d. 1583)
1580 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fire screen
Elkington & Co. (d. 1963)
19th century, after 18th century original · Silver on base metal, iron connecting rod
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
House of Fire
James Rosenquist (d. 2017)
1981 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Fire In My Belly (Film In Progress) and A Fire In My Belly (Excerpt)
David Wojnarowicz (d. 1992)
1986–87 · Single-channel digital video, transferred from Super-8 film, black-and-white and color, silent, 21 min.
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.