
Allegory of Art
Joachim Lüchteke (d. 1595)
1595 · Pen and black ink, brush and coloured washes, heightened with white, over red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
609 ms. The Metropolitan Museum of Art, Collection API (Open Access)
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 99 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Allegory of Art
Joachim Lüchteke (d. 1595)
1595 · Pen and black ink, brush and coloured washes, heightened with white, over red chalk
Cleared · Public Domain
live
Cylindrical Brushholder
Unrecorded maker
1736–95 or later, mid-1800s? · Ceramic, porcelain
Cleared · CC0
live
Design for Tools Relating to the Maintenance of Fire Arms
Anonymous, Italian, 16th century (d. 1600)
1580–1620 · Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the designs.
Cleared · Public Domain
live
Man in Armor beside a Chariot
Francesco Salviati (d. 1563)
c. 1550 · Drawing, pen and brown ink and brush and brown wash over black chalk, heightened with white
Cleared · CC0
live
December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire
Crispijn de Passe the Elder (d. 1637)
late 16th–mid 17th century · Pen and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
The Monkey and the Cat
Abraham Hondius (d. 1695)
probably 1670s · Painting, oil on canvas
Cleared · CC0
live
Study of a Fire Urn
Anonymous, French, 18th century (d. 1800)
ca. 1770–90 · Brush and gray and brown wash
Cleared · Public Domain
live
Sake Bottle with Three Figures
Unrecorded maker
late 1700s · Ceramic, porcelain with overglaze enamel and gold decoration (Hizen ware, Arita type)
Cleared · CC0
live
Gaius Mucius Scaevola Thrusting His Right Hand into Fire
Marco Marcola (d. 1793)
1740–93 · Pen and black ink, brush and gray-brown wash
Cleared · Public Domain
live
Jar
Unrecorded maker
1200s–1300s · Ceramic, Glazed stoneware with resist and slip-painted decoration, Jizhou ware
Cleared · CC0
live
The Fire at San Marcuola (recto); Roman Ruins (verso)
Francesco Guardi (d. 1793)
1712–93 · Pen and brown ink, brush and brown wash, over black chalk (recto); framing lines in pen and brown ink Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink at the left, top and bottom border in graphite at the right border (verso)
Cleared · Public Domain
live
Sake Bottle with Three Figures (lid)
Unrecorded maker
late 1700s · Ceramic, porcelain with overglaze enamel and gold decoration
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.