
Fire
Bow Porcelain Factory (d. 1776)
ca. 1748–50 · Soft-paste porcelain
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
322 ms. The Metropolitan Museum of Art, Collection API (Open Access)
591 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,534 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fire
Bow Porcelain Factory (d. 1776)
ca. 1748–50 · Soft-paste porcelain
Cleared · Public Domain
live
Cheval fire screen
Thomas Chippendale (d. 1779)
ca. 1755–60 · Mahogany, wool knotted-pile panel (not original to the screen)
Cleared · Public Domain
live
Fire screen
Jean-Baptiste I Tilliard (d. 1766)
ca. 1750–60 · Carved and gilded beechwood, embroidered silk (not original)
Cleared · Public Domain
live
Fire in London
Thomas Rowlandson (d. 1827)
September 1, 1808 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Camp Fire
Winslow Homer (d. 1910)
1880 · Oil on canvas
Cleared · Public Domain
live
Faces in the Fire
Elihu Vedder (d. 1923)
1887, cast 1888 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Barnyard Scene
Francis Place (d. 1728)
ca. 1683 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fire-Works in the Country
Charles Green Bush (d. 1909)
July 10, 1869 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Larry Semon in "The Barnyard" from Scenes from Movies Exhibit Cards series (W404)
Unrecorded maker
ca. 1923 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fire in the Night
George Biddle (d. 1973)
1936 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Afternoon in the Barnyard
Dayton Brandfield (d. 1993)
1935–43 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fire in the Barnyard
Thomas Hart Benton (d. 1975)
1944 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.