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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    492 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    648 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,821 matching records exist across the two collections.

Results for "Fire in the Night"12 records

Institutions answered newest-first by record, interleaved

Fire screen by Jean-Baptiste I Tilliard, The Metropolitan Museum of Art

Fire screen

Jean-Baptiste I Tilliard (d. 1766)

ca. 1750–60 · Carved and gilded beechwood, embroidered silk (not original)

Cleared · Public Domain

live
The MetSimilar
Church Bells Ringing, Rainy Winter Night by Charles Burchfield, The Cleveland Museum of Art

Church Bells Ringing, Rainy Winter Night

Charles Burchfield (d. 1967)

December 1917 · Drawing, watercolor and gouache over graphite on wove paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fire-Works on the Night of the Fourth of July (from "Harper's Weekly," Vol. XII) by Winslow Homer, The Metropolitan Museum of Art

Fire-Works on the Night of the Fourth of July (from "Harper's Weekly," Vol. XII)

Winslow Homer (d. 1910)

July 11, 1868 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The Burning of the Houses of Lords and Commons, 16 October 1834 by Joseph Mallord William Turner, The Cleveland Museum of Art

The Burning of the Houses of Lords and Commons, 16 October 1834

Joseph Mallord William Turner (d. 1851)

1835 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Faces in the Fire by Elihu Vedder, The Metropolitan Museum of Art

Faces in the Fire

Elihu Vedder (d. 1923)

1887, cast 1888 · Bronze

Cleared · Public Domain

live
The MetSimilar
Teapot with Cherry at Night in Gion by Seifū Yohei III, The Cleveland Museum of Art

Teapot with Cherry at Night in Gion

Seifū Yohei III (d. 1914)

1893–1914 · Ceramic, Porcelain with underglaze blue and iron oxide

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moral Emblems: Fire and Water

Etienne Delaune (d. 1583)

1580 · Engraving

In copyright

live
The MetSimilar
Teapot with Cherry at Night in Gion by Seifū Yohei III, The Cleveland Museum of Art

Teapot with Cherry at Night in Gion

Seifū Yohei III (d. 1914)

1893–1914 · Ceramic, Porcelain with underglaze blue and iron oxide

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Night in the Park

Edward Hopper (d. 1967)

1921 · Etching

In copyright

live
The MetSimilar
Lid for a Teapot with Cherry at Night in Gion by Seifū Yohei III, The Cleveland Museum of Art

Lid for a Teapot with Cherry at Night in Gion

Seifū Yohei III (d. 1914)

1893–1914 · Ceramic, Porcelain with underglaze blue and iron oxide

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Night Shadows

Edward Hopper (d. 1967)

1921 · Etching

In copyright

live
The MetSimilar
As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night by an unrecorded maker, The Cleveland Museum of Art

As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.