
The Rape of the Sabines
Andrea Andreani (d. 1629)
1585 · Chiaroscuro woodcut in three sections (joined), each printed from four blocks
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3677 ms. The Metropolitan Museum of Art, Collection API (Open Access)
293 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 25 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Rape of the Sabines
Andrea Andreani (d. 1629)
1585 · Chiaroscuro woodcut in three sections (joined), each printed from four blocks
Cleared · Public Domain
live
Anagram in Honor of Charles III, Duke of Lorraine and Bar
Aegidius Sadeler II (d. 1629)
ca. 1595–1605 · Pen and brown, red and black ink, brown wash, white gouache; incised construction lines
Cleared · Public Domain
live
Accession of William and Mary to the Throne of England, April 21, 1689: Celebrations in London, Hamburg, and the Northern Netherlands
Romeyn de Hooghe (d. 1708)
1689 · Illustrations: etching and engraving
Cleared · Public Domain
live
Fireworks celebrating the peace between France and the Empire, January 1698
Anonymous, French, 17th century (d. 1700)
1698 · Etching
Cleared · Public Domain
live
Peace Restored by the Genius of Happiness
George Wilson (d. 1801)
1801 · Stipple engraving
Cleared · Public Domain
live
Fireworks at Ikenohata
Kobayashi Kiyochika (d. 1915)
1881 (Meiji 14) · Woodblock print; ink and color on paper
Cleared · Public Domain
live
A Successful Hunt
Henry François Farny (d. 1916)
1906 · Gouache, watercolor, gum Arabic glazes, charcoal on white wove paper mounted on board
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peace of Aix-la-Chapelle, London, 1749
Anonymous
1749 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fireworks Held in Amsterdam on December 9, 1721, in Commemoration of the Peace between Russia and Sweden Ratified on August 30, 1721
Jan Smit (d. 1740)
18th century · Engraving, hand-colored (likely added later)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peace, from "Picture Poesies"
John William North (d. 1924)
first published 1867, reissued 1874 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rebecca, New York
Paul Strand (d. 1976)
ca. 1923 · Palladium print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Codomas, plate XI from the illustrated book "Jazz"
Henri Matisse (d. 1954)
1947 · Pochoir
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.