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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    656 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    276 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 68 matching records exist across the two collections.

Results for "First New York Film Festival"12 records

Institutions answered newest-first by record, interleaved

Fisherman’s Festival Robe (Maiwai) with Waves, Ship, and Fan by an unrecorded maker, The Metropolitan Museum of Art

Fisherman’s Festival Robe (Maiwai) with Waves, Ship, and Fan

Unrecorded maker

19th century · Raw silk, hand-painted and paste-resist dyed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First Reflection, New York

Lisette Model (d. 1983)

1939–40, printed 1940s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First New York Film Festival

Larry Rivers (d. 2002)

1963 · Off-set lithograph in four colors

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First New York Film Festival

Larry Rivers (d. 2002)

1963 · Offset lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First New York Film Festival

Larry Rivers (d. 2002)

1963 · Offset lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First New York Film Festival

Larry Rivers (d. 2002)

1963 · Offset lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

NEW YORK FILM FESTIVAL

Bruce Conner (d. 2008)

1965 · Offset photo-litho of laminated film-strips

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lincoln Center, September 12-22, 1966, 4th New York Film Festival, Philharmonic Hall

Roy Lichtenstein (d. 1997)

1966 · Screenprint on silver aluminum stock

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Sixth New York Film Festival)

Henry Pearson (d. 2006)

1968 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York City

Stephen Shore (d. 9999)

September 1972 · Chromogenic print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York City

Stephen Shore (d. 9999)

October 1972 · Chromogenic print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York City

Stephen Shore (d. 9999)

October 1972 · Chromogenic print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.