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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    190 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    570 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 177 matching records exist across the two collections.

Results for "First Part of Story of The Western Chamb"12 records

Institutions answered newest-first by record, interleaved

Cuneiform tablet: Atra-hasis, Babylonian flood myth by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet: Atra-hasis, Babylonian flood myth

Unrecorded maker

ca. 7th–6th century BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Armorial dish: The story of Apollo by Francesco Xanto Avelli da Rovigo, The Metropolitan Museum of Art

Armorial dish: The story of Apollo

Francesco Xanto Avelli da Rovigo (d. 1542)

1532 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
The Battle of Diomedes and Aeneas (from the Story of Achilles) by Jan van Orley, The Metropolitan Museum of Art

The Battle of Diomedes and Aeneas (from the Story of Achilles)

Jan van Orley (d. 1735)

ca. 1720–30 · Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Story of Apollo and Diana: Apollo killing Python

Etienne Delaune (d. 1583)

1547–48 · Engraving: First state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Story of Apollo and Diana: Britomartis attempting to escape Minos, jumping into the sea

Etienne Delaune (d. 1583)

1547–48 · Engraving: First state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Story of Apollo and Diana: Diana admitting Orion in her company

Etienne Delaune (d. 1583)

1547–48 · Engraving; first state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Story of Apollo and Diana: Diana lamenting the death of Orion

Etienne Delaune (d. 1583)

1547–48 · Engraving: First state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Story of Apollo and Diana: Leto and the Lycian Peasants

Etienne Delaune (d. 1583)

1547–48 · Engraving; first state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Story of Apollo and Diana: Orion killed by Apollo

Etienne Delaune (d. 1583)

1547–48 · Engraving; first state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marion's Return, from "The Battle of Life: A Love Story, Part the Third" (first page)

Richard Doyle (d. 1883)

1846 · Wood engraving; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Russian Ballet in Western Europe 1909–1920

Walter Archibald Propert (d. 1930)

1921 · Illustrations: photomechanical reproductions and color lithographs

In copyright

live
The MetSimilar

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2. Read the arithmetic

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