Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    173 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,956 matching records exist across the two collections.

Results for "First View of Marseille"12 records

Institutions answered newest-first by record, interleaved

First View of Marseille by Joseph Vernet, The Metropolitan Museum of Art

First View of Marseille

Joseph Vernet (d. 1789)

1776 · Engraving; second state of three

Cleared · Public Domain

live
The MetSimilar
Wall Hanging (msimsim) by an unrecorded maker, The Cleveland Museum of Art

Wall Hanging (msimsim)

Unrecorded maker

1800s · Textile, Silk, dye

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Second View of Marseille by Joseph Vernet, The Metropolitan Museum of Art

Second View of Marseille

Joseph Vernet (d. 1789)

ca. 1776 · Engraving

Cleared · Public Domain

live
The MetSimilar
First View of Clarenton near Paris by Peter Paul Benazech, The Metropolitan Museum of Art

First View of Clarenton near Paris

Peter Paul Benazech (d. 1783)

mid to late 18th century · Engraving

Cleared · Public Domain

live
The MetSimilar
View of the Fountain of St. John in Marseille by Joseph Vernet, The Metropolitan Museum of Art

View of the Fountain of St. John in Marseille

Joseph Vernet (d. 1789)

ca. 1750–1800 · Engraving

Cleared · Public Domain

live
The MetSimilar
View of Murano by Giacomo Guardi, The Metropolitan Museum of Art

View of Murano

Giacomo Guardi (d. 1835)

ca. 1804–28 · Pen and brown ink, gray wash

Cleared · Public Domain

live
The MetSimilar
Halle des Capucins, Marché aux Fleurs, Marseille, France by Unknown, The Metropolitan Museum of Art

Halle des Capucins, Marché aux Fleurs, Marseille, France

Unknown

1839–45 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
Rue des Grands Carmes, Vue prise de la Rue Ste. Marthe, Marseille by Adolphe Terris, The Metropolitan Museum of Art

Rue des Grands Carmes, Vue prise de la Rue Ste. Marthe, Marseille

Adolphe Terris (d. 1900)

1862 · Salted paper print from glass negative

Cleared · Public Domain

live
The MetSimilar
La Vague, Marseille, ou le Mistral, Marseille (The Wave or the Mistral, Marseille) by Henri Charles Guérard, The Metropolitan Museum of Art

La Vague, Marseille, ou le Mistral, Marseille (The Wave or the Mistral, Marseille)

Henri Charles Guérard (d. 1897)

ca. 1893 · Etching and drypoint printed in green ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of First Floor Gallery of Family Home

Olivier Bro de Comères (d. 1870)

1833–38 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Venice

Samuel Colman (d. 1920)

ca. 1875 · Pastel and charcoal on toned wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Notre-Dame de la Garde (La Bonne Mère), Marseille

Paul Signac (d. 1935)

1905–6 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.