
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae"
Giovanni Cattini (d. 1800)
1743 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
253 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 181 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 6: A young man embracing a girl, from "Icones ad vivum expressae"
Giovanni Cattini (d. 1800)
1743 · Etching
Cleared · Public Domain
live
Plate
Villeroy (d. 1748)
ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels
Cleared · Public Domain
live
Plate
Bow Porcelain Factory (d. 1776)
ca. 1755 · Soft-paste porcelain decorated in polychrome enamels
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blessed Are The Pure in Heart [Matt. 5:8]: The Annunciation, from The Eight Beatitudes, plate 6
Herman Müller
ca 1566 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 8, from "Livre de Plusieurs Cartouches"
Albert Flamen (d. 1688)
1664 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views in Calcutta
Thomas Daniell (d. 1840)
1786–88 · Hand-colored aquatints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elements of Drawing, In a Series of Examples Extracted from Pictures Painted by, and in the Gallery of Benjamin West, Esq., Historical Painter to the King, President of the Royal Academy, &c. &c.
Edward Scriven (d. 1841)
1813 · Illustrations: stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On rend des comptes au gèrant, from Les Lorettes, published in Le Charivari, October 6, 1841, plate 8
Paul Gavarni [Chevalier] (d. 1866)
October 6, 1841 · Lithograph; second state of three (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketch Near Longparish
Sir Francis Seymour Haden (d. 1910)
1896 · Drypoint; trial proof b (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Handwritten letter, from Picasso to Cocteau, dated October 6, 1916]
Pablo Picasso (d. 1973)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fishermen (Pescadores), plate 6 from "8 Aguafuertes a Color" (8 Color Etchings)
Alfredo Zalce (d. 2003)
1947 · Color etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.