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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    368 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    959 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 415 matching records exist across the two collections.

Results for "Five Beauties"12 records

Institutions answered newest-first by record, interleaved

Terracotta column-krater (bowl for mixing wine and water) by Orchard Painter, The Metropolitan Museum of Art

Terracotta column-krater (bowl for mixing wine and water)

Orchard Painter

ca. 460 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Seated Male Carrying Maize by an unrecorded maker, The Cleveland Museum of Art

Seated Male Carrying Maize

Unrecorded maker

1325–1521 · Sculpture, stone, pigment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rock crystal Statuette of a Lion by an unrecorded maker, The Metropolitan Museum of Art

Rock crystal Statuette of a Lion

Unrecorded maker

3rd–4th century · Rock crystal

Cleared · Public Domain

live
The MetSimilar
Kureha of Gakuiseya, from Selection of Beauties from the Pleasure Quarters by Suzuki Harunobu, The Cleveland Museum of Art

Kureha of Gakuiseya, from Selection of Beauties from the Pleasure Quarters

Suzuki Harunobu (d. 1770)

1770 · Print, color woodblock print

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rock Crystal Bowl by an unrecorded maker, The Metropolitan Museum of Art

Rock Crystal Bowl

Unrecorded maker

3rd–5th century · Rock crystal

Cleared · Public Domain

live
The MetSimilar
Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492) by Mushfiq, The Cleveland Museum of Art

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

Mushfiq

1603–7 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Qur'anic Compilation Page by Abu Muhammad 'Abd al-Qayyum ibn Muhammad ibn Karamshah al-Tabrizi, The Metropolitan Museum of Art

Qur'anic Compilation Page

Abu Muhammad 'Abd al-Qayyum ibn Muhammad ibn Karamshah al-Tabrizi

ca. 1370 · Ink, gold, and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Folios A and B from the "Five Treasures" (Panj Ganj) of Jami by Mushfiq, The Cleveland Museum of Art

Folios A and B from the "Five Treasures" (Panj Ganj) of Jami

Mushfiq

1520–1607 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Coffret by an unrecorded maker, The Metropolitan Museum of Art

Coffret

Unrecorded maker

early 1400s · Poplar with gilded and painted gesso, and pastiglia decoration

Cleared · Public Domain

live
The MetSimilar
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom) by Mushfiq, The Cleveland Museum of Art

Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)

Mushfiq

Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan Khanan · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Floral Tent Panel by an unrecorded maker, The Metropolitan Museum of Art

Floral Tent Panel

Unrecorded maker

ca. 1635 · Silk, gold; cut velvet, painted

Cleared · Public Domain

live
The MetSimilar
Illuminated page (verso), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492) with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom) by Mushfiq, The Cleveland Museum of Art

Illuminated page (verso), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492) with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)

Mushfiq

1603–7 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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