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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    232 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    258 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Five Guineas: Charles II (obverse); Four"12 records

Institutions answered newest-first by record, interleaved

Drachm by an unrecorded maker, The Metropolitan Museum of Art

Drachm

Unrecorded maker

ca. 78–110 CE · Silver

Cleared · Public Domain

live
The MetSimilar
Five Guineas: Charles II (obverse); Four Shields (reverse) by John Roettier, The Cleveland Museum of Art

Five Guineas: Charles II (obverse); Four Shields (reverse)

John Roettier (d. 1703)

1668 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Drachm by an unrecorded maker, The Metropolitan Museum of Art

Drachm

Unrecorded maker

ca. 78–110 CE · Silver

Cleared · Public Domain

live
The MetSimilar
Two Guineas: James II (obverse); Four Shields of Arms (reverse) by John Roettier, The Cleveland Museum of Art

Two Guineas: James II (obverse); Four Shields of Arms (reverse)

John Roettier (d. 1703)

1687 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Anthropomorphic Bead by an unrecorded maker, The Metropolitan Museum of Art

Anthropomorphic Bead

Unrecorded maker

300 BCE–700 CE · Gold (cast)

Cleared · Public Domain

live
The MetSimilar
Trotting horse by Giambologna, The Metropolitan Museum of Art

Trotting horse

Giambologna (d. 1608)

probably 1587–91 · Bronze

Cleared · Public Domain

live
The MetSimilar
Table or bracket clock by Edward East, The Metropolitan Museum of Art

Table or bracket clock

Edward East (d. 1697)

ca. 1665 · Case: ebonized fruitwood and rosewood with ebony moldings; Dial: gilded brass and silver; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Clock with pedestal by André Charles Boulle, The Metropolitan Museum of Art

Clock with pedestal

André Charles Boulle (d. 1732)

ca. 1690 · Case and pedestal of oak with marquetry of tortoiseshell, engraved brass, and pewter; gilt bronze; dial of gilt brass with white enameled Arabic numerals; movement of brass and steel

Cleared · Public Domain

live
The MetSimilar
Side table (commode en console) by Bernard II van Risenburgh, The Metropolitan Museum of Art

Side table (commode en console)

Bernard II van Risenburgh (d. 1767)

ca. 1755–60 · Oak and pine lacquered black and veneered with Japanese black and gold lacquer; gilt-bronze mounts; Sarrancolin marble top

Cleared · Public Domain

live
The MetSimilar
Longcase clock by Hermann Achenbach, The Metropolitan Museum of Art

Longcase clock

Hermann Achenbach (d. 1825)

ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Donsó Ngoni by an unrecorded maker, The Metropolitan Museum of Art

Donsó Ngoni

Unrecorded maker

19th century · Wood, skin, metal

Cleared · Public Domain

live
The MetSimilar
Sora Ngoni (Simbingo) by an unrecorded maker, The Metropolitan Museum of Art

Sora Ngoni (Simbingo)

Unrecorded maker

19th century · Gourd, skin, wood, leather

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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