
The General Proportion of the Doric Order, in Chippendale Drawings, Vol. I
Thomas Chippendale (d. 1779)
1753 · Black ink and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
271 ms. The Metropolitan Museum of Art, Collection API (Open Access)
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 84 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The General Proportion of the Doric Order, in Chippendale Drawings, Vol. I
Thomas Chippendale (d. 1779)
1753 · Black ink and gray wash
Cleared · Public Domain
live
Columns of the Temple of Neptune at Paestum
Constantin Hansen (d. 1880)
1838 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Corinthian order and five consoles and one rosette, plate 19, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Five columns of the Composite order, marked A-E, including pedestal, column and entablature, from Architectura oder Bauung der Antiquen auss dem Vitruvius, plate 23
Hans Vredeman de Vries (d. 1606)
Published 1619 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Five columns of the Corinthian order, including pedestal, column and entablature, from Architectura oder Bauung der Antiquen auss dem Vitruvius, plate 17
Hans Vredeman de Vries (d. 1606)
Published 1619 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Five columns of the Doric order, marked A-C, including pedestal, column and entablature, from Architectura oder Bauung der Antiquen auss dem Vitruvius, plate 7
Hans Vredeman de Vries (d. 1606)
Published 1619 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Five columns of the Ionic order, marked A-E, including pedestal, column and entablature, from Architectura oder Bauung der Antiquen auss dem Vitruvius, plate 13
Hans Vredeman de Vries (d. 1606)
Published 1619 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entablature of the Doric order with five details of volutes, and a variant design for the capital, plate 3, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Ionic order, with five details, plate 15, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two lower parts of columns of the Ionic and Doric order, plate 2, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two pedestals of the Ionic and Doric order, plate 1, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two pedestals of the Ionic and Doric order, plate 7, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.