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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1294 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,347 matching records exist across the two collections.

Results for "Fleuron on the Title Page, from Disserta"12 records

Institutions answered newest-first by record, interleaved

Ein new Modelbuch..., title page (recto) by Johann Schönsperger the Younger, The Metropolitan Museum of Art

Ein new Modelbuch..., title page (recto)

Johann Schönsperger the Younger (d. 1550)

October 22, 1524 · Woodcut

Cleared · Public Domain

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The MetSimilar
Convivio delle Belle Donne, title page (recto) by Nicolò Zoppino, The Metropolitan Museum of Art

Convivio delle Belle Donne, title page (recto)

Nicolò Zoppino (d. 1544)

August 1532 · Woodcut

Cleared · Public Domain

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The MetSimilar
Title page, from "The Triumph of Julius Caesar" by Andrea Andreani, The Metropolitan Museum of Art

Title page, from "The Triumph of Julius Caesar"

Andrea Andreani (d. 1629)

1599 · Chiaroscuro woodcut from three blocks in gray-green ink

Cleared · Public Domain

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The MetSimilar
Title Page, from "Omnia Conando Docilis Solertia Vincit" by Paul Birckenhultz, The Metropolitan Museum of Art

Title Page, from "Omnia Conando Docilis Solertia Vincit"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

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The MetSimilar
Title Page, from "Varii Generis Opera Aurifabris Necessaria" by Paul Birckenhultz, The Metropolitan Museum of Art

Title Page, from "Varii Generis Opera Aurifabris Necessaria"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving; first of two states (SKB)

Cleared · Public Domain

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The MetSimilar
Title Page, Divers Anticke Faces by Wenceslaus Hollar, The Metropolitan Museum of Art

Title Page, Divers Anticke Faces

Wenceslaus Hollar (d. 1677)

1677 · Etching; second state of two (NH)

Cleared · Public Domain

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The MetSimilar
Plate One (Title Page) from Nouveavx Desseins D'Arquebvseries by De Lacollombe, The Metropolitan Museum of Art

Plate One (Title Page) from Nouveavx Desseins D'Arquebvseries

De Lacollombe (d. 1736)

dated 1730 · Engraving

Cleared · Public Domain

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The MetSimilar
Title page from Essay on Butterflies Masquerading as Humans (Essai de Papilloneries Humaines) by Charles Germain de Saint-Aubin, The Metropolitan Museum of Art

Title page from Essay on Butterflies Masquerading as Humans (Essai de Papilloneries Humaines)

Charles Germain de Saint-Aubin (d. 1786)

ca. 1756–60 · Etching; first state of two

Cleared · Public Domain

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The MetSimilar
Etchings of Paris; Title page to the suite by Charles Meryon, The Metropolitan Museum of Art

Etchings of Paris; Title page to the suite

Charles Meryon (d. 1868)

1852 · Etching on brown wove paper; first state

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title page: Heath's Picturesque Annual for 1832

Edward Goodall (d. 1870)

1832 · Etching and engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fleurs (Flowers), Title Page

Serge Gladky (d. 1939)

1929 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title page from "Rebel Women from the Apocrypha"

Marcelle Hanselaar (d. 9999)

2023–24 · Letterpress

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.