Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    319 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,694 matching records exist across the two collections.

Results for "Flight into Egypt: The Embarkment of the"12 records

Institutions answered newest-first by record, interleaved

The Flight into Egypt by Cosmè Tura (Cosimo di Domenico di Bonaventura), The Metropolitan Museum of Art

The Flight into Egypt

Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)

1470s · Tempera on wood

Cleared · Public Domain

live
The MetSimilar
Flight into Egypt: The Embarkment of the Holy Family by Giovanni Battista Tiepolo, The Cleveland Museum of Art

Flight into Egypt: The Embarkment of the Holy Family

Giovanni Battista Tiepolo (d. 1770)

c. 1735 · Drawing, pen and brown ink and brush and brown wash over black chalk; framing lines in black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Rest on the Flight into Egypt by Gerard David, The Metropolitan Museum of Art

The Rest on the Flight into Egypt

Gerard David (d. 1523)

ca. 1512–15 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Rest on the Flight into Egypt by Gerrit Pietersz. Sweelink, The Metropolitan Museum of Art

The Rest on the Flight into Egypt

Gerrit Pietersz. Sweelink (d. 1612)

1593 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
The Flight into Egypt by Ignatius Cornelis Marinus, The Metropolitan Museum of Art

The Flight into Egypt

Ignatius Cornelis Marinus (d. 1639)

1620–40 · Engraving; second or third state of three

Cleared · Public Domain

live
The MetSimilar
The Flight into Egypt by Jacques Stella, The Metropolitan Museum of Art

The Flight into Egypt

Jacques Stella (d. 1657)

17th century · Pen and brown ink, brush and gray wash, heightened with white

Cleared · Public Domain

live
The MetSimilar
The Flight into Egypt by Carlo Maratti, The Metropolitan Museum of Art

The Flight into Egypt

Carlo Maratti (d. 1713)

ca. 1664 · Oil on copper

Cleared · Public Domain

live
The MetSimilar
Landscape with the Flight into Egypt by Anonymous, French, 17th century, The Metropolitan Museum of Art

Landscape with the Flight into Egypt

Anonymous, French, 17th century (d. 1700)

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
The Flight into Egypt by Pedro  Duque Cornejo, The Metropolitan Museum of Art

The Flight into Egypt

Pedro Duque Cornejo (d. 1757)

ca. 1700–50 · Pen and dark brown ink, brush and gray wash, over black chalk underdrawing. Outline of arch-shaped composition in the same pen and brown ink. On off-white paper

Cleared · Public Domain

live
The MetSimilar
The Flight into Egypt by Giovanni Battista Tiepolo, The Metropolitan Museum of Art

The Flight into Egypt

Giovanni Battista Tiepolo (d. 1770)

ca. 1767–70 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Flight into Egypt

Robert Sargent Austin (d. 1973)

1925 · Engraving; fourth state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Into the Sea

Claude Flight (d. 1955)

ca. 1925 · Linocut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.