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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 47 matching records exist across the two collections.

Results for "Floral Textile Fragment"12 records

Institutions answered newest-first by record, interleaved

Fragment of a furnishing textile by an unrecorded maker, The Cleveland Museum of Art

Fragment of a furnishing textile

Unrecorded maker

possibly 1700s or 1800s · Embroidery, Linen, silk, and dye

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Roundels with Hunters by an unrecorded maker, The Cleveland Museum of Art

Roundels with Hunters

Unrecorded maker

800s · Textile, Silk: samite weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Embroidered Textile by an unrecorded maker, The Cleveland Museum of Art

Embroidered Textile

Unrecorded maker

1800s · Embroidery, Plain weave piña cloth: needle lace and embroidery

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Roundels with Hunters by an unrecorded maker, The Cleveland Museum of Art

Roundels with Hunters

Unrecorded maker

800s · Textile, Silk: samite weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Border with Floral Motif by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Border with Floral Motif

Unrecorded maker

1700s · Lace, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in one and two directions)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment with a Floral (tendril) Motif by an unrecorded maker, The Cleveland Museum of Art

Fragment with a Floral (tendril) Motif

Unrecorded maker

1500s–1600s · Lace, Bleached and blue dyed linen (est.): needle lace, filet/lacis (knotted ground and darned in one and two directions)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Border with Vines and Floral Motifs by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Border with Vines and Floral Motifs

Unrecorded maker

1600s · Lace, Bleached and blue dyed linen (est.): needle lace, filet/lacis (knotted ground and darned in one direction) and bobbin lace edging

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Square Ornament from a Tunic by an unrecorded maker, The Cleveland Museum of Art

Square Ornament from a Tunic

Unrecorded maker

700s · Textile, Silk; complementary weft-faced twill weave with inner warps (samite)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment by an unrecorded maker, The Cleveland Museum of Art

Fragment

Unrecorded maker

1300s · Textile, Silk and gold thread; lampas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tunic Fragment with Segmentum by an unrecorded maker, The Cleveland Museum of Art

Tunic Fragment with Segmentum

Unrecorded maker

c. 500 · Textile, Wool, linen, and dye

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Border with Floral Vine and Geometric Patterns by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Border with Floral Vine and Geometric Patterns

Unrecorded maker

1500s · Lace, Bleached linen (est.): needle lace, burato (twined ground and darned in two directions) and reticella

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment with Inscription by an unrecorded maker, The Cleveland Museum of Art

Fragment with Inscription

Unrecorded maker

early 900s · Textile, Silk: lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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