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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3916 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Florine of Burgundy, from "History of th"11 records

Institutions answered newest-first by record, interleaved

King Arthur (from the Heroes Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

King Arthur (from the Heroes Tapestries)

Unrecorded maker

ca. 1400–1410 · Wool warp, wool wefts

Cleared · Public Domain

live
The MetSimilar
Hector of Troy (?) (from the Heroes Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

Hector of Troy (?) (from the Heroes Tapestries)

Unrecorded maker

ca. 1400–1410 · Wool warp, wool wefts

Cleared · Public Domain

live
The MetSimilar
Joshua and David (from the Heroes Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

Joshua and David (from the Heroes Tapestries)

Unrecorded maker

ca. 1400–1410 · Wool warp, wool wefts

Cleared · Public Domain

live
The MetSimilar
Julius Caesar (from the Heroes Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

Julius Caesar (from the Heroes Tapestries)

Unrecorded maker

ca. 1400–1410 · Wool warp, wool wefts

Cleared · Public Domain

live
The MetSimilar
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso) by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), The Metropolitan Museum of Art

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)

1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Covered Cup by an unrecorded maker, The Metropolitan Museum of Art

Covered Cup

Unrecorded maker

15th century · Rock crystal, gilded silver, glass cabochons and pearls

Cleared · Public Domain

live
The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

live
The MetSimilar
Francesco I de' Medici, grand duke of Tuscany by Giambologna, The Metropolitan Museum of Art

Francesco I de' Medici, grand duke of Tuscany

Giambologna (d. 1608)

modeled 1585–87, cast ca. 1611 · Bronze

Cleared · Public Domain

live
The MetSimilar
Table clock with calendar by Lucien Falize, The Metropolitan Museum of Art

Table clock with calendar

Lucien Falize (d. 1897)

1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Florine of Burgundy, from "History of the Crusades"

Adolphe Gusman (d. 1905)

after 1880 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Royal vessel

Luba artist

19th–early 20th century · Wood, plant fiber

In copyright

live
The MetSimilar

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2. Read the arithmetic

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