
Design for a Flask with Chain Handles
Giulio Romano (d. 1546)
1540–46 · Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
995 ms. The Metropolitan Museum of Art, Collection API (Open Access)
372 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 183 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Flask with Chain Handles
Giulio Romano (d. 1546)
1540–46 · Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk
Cleared · Public Domain
live
Bottle with stopper
Unrecorded maker
late 18th century · Glass
Cleared · Public Domain
live
Decanter with stopper
Unrecorded maker
early 19th century · Glass
Cleared · Public Domain
live
Decanter
Jersey Glass Company of George Dummer (d. 1862)
ca. 1824–40 · Blown and cut glass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Glass Carafe
Anonymous, Czech, early 20th century (d. 1950)
early 20th century · Purple pigment and gouache on beige paper (mimeograph/blue print reproductive process?)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flute Stopper
Unrecorded maker
late 19th–early 20th century · Wood, paint, human hair, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perminangken (container for magical substances)
Toba Batak artist
19th–early 20th century · Wood, ceramic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flute Stopper
Unrecorded maker
late 19th–early 20th century · Wood, hair
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hair Ornament
Unrecorded maker
late 19th–early 20th century · Wood, paint, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Belt Ornament
Unrecorded maker
late 19th–early 20th century · Wood, hair, shell, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flute Stopper
Unrecorded maker
late 19th–early 20th century · Wood, paint, shell
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flute Stopper
Unrecorded maker
late 19th–early 20th century · Wood, paint, shell
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.