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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    1390 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    424 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,033 matching records exist across the two collections.

Results for "Flying Figure"12 records

Institutions answered newest-first by record, interleaved

Jar with flying figure (the Oculate Being) by Paracas artist(s), The Metropolitan Museum of Art

Jar with flying figure (the Oculate Being)

Paracas artist(s)

350 BCE–60 CE · Ceramic, post-fire paint

Cleared · Public Domain

live
The MetSimilar
Siana Cup (Black-Figure Kylix [Drinking Cup]): Horseman and Warriors by an unrecorded maker, The Cleveland Museum of Art

Siana Cup (Black-Figure Kylix [Drinking Cup]): Horseman and Warriors

Unrecorded maker

575–550 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rattle bowl with flying figure (Oculate Being) by Paracas artist(s), The Metropolitan Museum of Art

Rattle bowl with flying figure (Oculate Being)

Paracas artist(s)

350 BCE–60 CE · Ceramic, post-fire paint

Cleared · Public Domain

live
The MetSimilar
Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B) by Policoro Painter, The Cleveland Museum of Art

Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)

Policoro Painter

c. 400 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rattle bowl with flying figure (Oculate Being) by Paracas artist(s), The Metropolitan Museum of Art

Rattle bowl with flying figure (Oculate Being)

Paracas artist(s)

350 BCE–60 CE · Ceramic, post-fire paint

Cleared · Public Domain

live
The MetSimilar
Black-Gloss Mesomphalic Phiale (Libation Bowl): Apotheosis of Herakles by an unrecorded maker, The Cleveland Museum of Art

Black-Gloss Mesomphalic Phiale (Libation Bowl): Apotheosis of Herakles

Unrecorded maker

200s BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Double-spout bottle with flying figure by Nasca artist(s), The Metropolitan Museum of Art

Double-spout bottle with flying figure

Nasca artist(s)

300–500 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Attendant Bearing a Fly Whisk (Chauri) by an unrecorded maker, The Cleveland Museum of Art

Attendant Bearing a Fly Whisk (Chauri)

Unrecorded maker

c. 100–150 CE · Sculpture, red sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Flying Celestial Figure by an unrecorded maker, The Metropolitan Museum of Art

Flying Celestial Figure

Unrecorded maker

6th–7th century · Stucco with color

Cleared · Public Domain

live
The MetSimilar
Plate 3: Simeon by Jacob de Gheyn II, The Cleveland Museum of Art

Plate 3: Simeon

Jacob de Gheyn II (d. 1629)

c. 1589 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Flying Celestial Figure by an unrecorded maker, The Metropolitan Museum of Art

Flying Celestial Figure

Unrecorded maker

6th–7th century · Stucco with color

Cleared · Public Domain

live
The MetSimilar
Towel with Border of Figures of Men and Animals by an unrecorded maker, The Cleveland Museum of Art

Towel with Border of Figures of Men and Animals

Unrecorded maker

1700s–1800s · Lace, Linen: needle lace (cutwork and drawnwork), straight (continuous) bobbin lace, tape lace edging

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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