
Lucretia
Raphael (Raffaello Sanzio or Santi) (d. 1520)
1508–10 · Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
323 ms. The Metropolitan Museum of Art, Collection API (Open Access)
283 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Lucretia
Raphael (Raffaello Sanzio or Santi) (d. 1520)
1508–10 · Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Cleared · Public Domain
live
Fol. 46v, Numbers, historiated initial L, Moses with horns, kneeling before God
Unrecorded maker
c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum
Cleared · CC0
live
Tupu (pin)
Inca artist(s)
1400–1535 CE · Copper alloy
Cleared · Public Domain
live
Head from a figure, Xochipilli-Macuilxochitl
Unrecorded maker
15th–early 16th century · Obsidian
Cleared · Public Domain
live
Drum (Teponaztli)
Unrecorded maker
15th–16th century · Wood (rosewood ?), iron band
Cleared · Public Domain
live
Table clock with calendar
Lucien Falize (d. 1897)
1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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