
Tile From an Inscriptional Frieze
Unrecorded maker
dated 707 AH/1308 CE · Stonepaste; underglaze painted in blue, luster-painted on opaque white ground, modeled
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
286 ms. The Metropolitan Museum of Art, Collection API (Open Access)
246 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,746 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tile From an Inscriptional Frieze
Unrecorded maker
dated 707 AH/1308 CE · Stonepaste; underglaze painted in blue, luster-painted on opaque white ground, modeled
Cleared · Public Domain
live
Frieze with Foliage and Grapes
Unrecorded maker
300s–400s CE · Sculpture, limestone
Cleared · CC0
live
Tile from an Inscriptional Frieze
Unrecorded maker
early 14th century · Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled
Cleared · Public Domain
live
Frieze with Fruit, Foliage and Putti Climbing through Strapwork
Anonymous, Netherlandish, 16th century (d. 1600)
late 16th century · Pen and brown ink, brush and brown wash, over traces of red chalk
Cleared · Public Domain
live
Frieze with Tritons and Dolphins, plate 13 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Stefano della Bella (d. 1664)
ca. 1648 · Etching
Cleared · Public Domain
live
Design for Frieze of Foliage
Thomas Pether (d. 1800)
1770–79 · Pen and ink, brush and wash, over graphite
Cleared · Public Domain
live
Design for Ornamental Frieze with Shell, Foliage and Satyr's Head (recto); Figural Studies (verso)
William Pitts (d. 1840)
1805–40 · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Foliage frieze
Master F (d. 1540)
ca. 1525–40 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with Ornamental Foliage with a Nude Man Looking Upward
Anonymous, Italian, 16th century (d. 1600)
ca. 1540–70 · Engraving, first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with Ornamental Foliage, Mask, and Bowl of Fruit
Anonymous, Italian, 16th century (d. 1600)
ca. 1540–70 · Engraving; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornamental Frieze with Foliage
Master F. P. (d. 1600)
16th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornamental frieze with foliate scrolls
Giovanni Battista Pittoni the Elder (d. 1583)
16th century · engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.