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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    393 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 4 matching records exist across the two collections.

Results for "Folio B: Folio from the "Five Treasures""4 records

Institutions answered newest-first by record, interleaved

Folio B: Folio from the "Five Treasures" (Panj Ganj) of Jami (recto) by Mushfiq, The Cleveland Museum of Art

Folio B: Folio from the "Five Treasures" (Panj Ganj) of Jami (recto)

Mushfiq

1520–1607 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Folios A and B from the "Five Treasures" (Panj Ganj) of Jami by Mushfiq, The Cleveland Museum of Art

Folios A and B from the "Five Treasures" (Panj Ganj) of Jami

Mushfiq

1520–1607 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) by Mushfiq, The Cleveland Museum of Art

Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous)

Mushfiq

Text c. 1500–1520; painting, borders, and illuminations added 1603–7 Text copied by Sultan-Ali Mashhadi (Persian, active early 1500s) for Badi al-Zaman Mirza, ruler of Herat Painted insets and borders by Mushfiq (Indian, active 1580s–early 1600s) Text copied in Herat Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan Khanan · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso) by Mushfiq, The Cleveland Museum of Art

Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso)

Mushfiq

1520–1607 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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