Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
134 ms. The Metropolitan Museum of Art, Collection API (Open Access)
54 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with an angel, from Bénitiers, plate 5, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Baptism of Christ, from Bénitiers, plate 6, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Crucifixion, from Bénitiers, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Holy Family, from Bénitiers, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with Tobias and the Angel in a medallion, from Bénitiers, plate 3, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a baptismal font ornamented with the Virgin and Child, from Bénitiers, plate 1, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Assumption of the Virgin, from Bénitiers, plate 6, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Baptism of Christ and with the Holy Spirit at top, from Bénitiers, plate 3, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Crucifixion and with the Magdalen at the bottom, from Bénitiers, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Resurrection, from Bénitiers, plate 5, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font with two variants at bottom and ornamented with the Adoration of the Shepherds, from Bénitiers, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with Jonah and the Whale, from Bénitiers et appliques, plate 3, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.