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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    649 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,711 matching records exist across the two collections.

Results for "Font ornamented with the Crucifixion and"12 records

Institutions answered newest-first by record, interleaved

The Crucifixion by Segna di Buonaventura, The Metropolitan Museum of Art

The Crucifixion

Segna di Buonaventura (d. 1331)

ca. 1315 · Tempera on wood, gold ground

Cleared · Public Domain

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The MetSimilar
The Crucifixion by Pietro Lorenzetti, The Metropolitan Museum of Art

The Crucifixion

Pietro Lorenzetti (d. 1344)

1340s · Tempera and gold leaf on wood

Cleared · Public Domain

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The MetSimilar
The Crucifixion by Master of the Berswordt Altar, The Metropolitan Museum of Art

The Crucifixion

Master of the Berswordt Altar (d. 1435)

ca. 1400 · Oil, egg(?), and gold on plywood, transferred from wood

Cleared · Public Domain

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The MetSimilar
Diptych with the Virgin and Child and the Crucifixion by an unrecorded maker, The Metropolitan Museum of Art

Diptych with the Virgin and Child and the Crucifixion

Unrecorded maker

early 15th century · Elephant ivory with metal mounts

Cleared · Public Domain

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The MetSimilar
Pax with the Crucifixion by an unrecorded maker, The Metropolitan Museum of Art

Pax with the Crucifixion

Unrecorded maker

ca. 1360–70 (ivory); 15th century (frame) · Elephant ivory and gilded copper

Cleared · Public Domain

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The MetSimilar
The Crucifixion by Jan Provoost, The Metropolitan Museum of Art

The Crucifixion

Jan Provoost (d. 1529)

ca. 1495 · Oil on wood

Cleared · Public Domain

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The MetSimilar
The Crucifixion with Saints and a Donor by Joos van Cleve, The Metropolitan Museum of Art

The Crucifixion with Saints and a Donor

Joos van Cleve (d. 1541)

ca. 1520 · Oil on wood

Cleared · Public Domain

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The MetSimilar
The Crucifixion with the Virgin and Saint John by Hendrick ter Brugghen, The Metropolitan Museum of Art

The Crucifixion with the Virgin and Saint John

Hendrick ter Brugghen (d. 1629)

ca. 1624–25 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
The Crucifixion by an unrecorded maker, The Metropolitan Museum of Art

The Crucifixion

Unrecorded maker

first half 17th century · Gold, partly enameled, Baroque pearl

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Font ornamented with the Crucifixion, from Bénitiers, plate 4, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

published 1659 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Font ornamented with the Crucifixion and with the Magdalen at the bottom, from Bénitiers, plate 4, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

published 1667 · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Font ornamented with the Resurrection, from Bénitiers, plate 5, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

published 1667 · Etching; second state of two (Préaud)

In copyright

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The MetSimilar

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2. Read the arithmetic

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