
The Crucifixion
Segna di Buonaventura (d. 1331)
ca. 1315 · Tempera on wood, gold ground
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
649 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,711 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Crucifixion
Segna di Buonaventura (d. 1331)
ca. 1315 · Tempera on wood, gold ground
Cleared · Public Domain
live
The Crucifixion
Pietro Lorenzetti (d. 1344)
1340s · Tempera and gold leaf on wood
Cleared · Public Domain
live
The Crucifixion
Master of the Berswordt Altar (d. 1435)
ca. 1400 · Oil, egg(?), and gold on plywood, transferred from wood
Cleared · Public Domain
live
Diptych with the Virgin and Child and the Crucifixion
Unrecorded maker
early 15th century · Elephant ivory with metal mounts
Cleared · Public Domain
live
Pax with the Crucifixion
Unrecorded maker
ca. 1360–70 (ivory); 15th century (frame) · Elephant ivory and gilded copper
Cleared · Public Domain
live
The Crucifixion
Jan Provoost (d. 1529)
ca. 1495 · Oil on wood
Cleared · Public Domain
live
The Crucifixion with Saints and a Donor
Joos van Cleve (d. 1541)
ca. 1520 · Oil on wood
Cleared · Public Domain
live
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen (d. 1629)
ca. 1624–25 · Oil on canvas
Cleared · Public Domain
live
The Crucifixion
Unrecorded maker
first half 17th century · Gold, partly enameled, Baroque pearl
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Crucifixion, from Bénitiers, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Crucifixion and with the Magdalen at the bottom, from Bénitiers, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Resurrection, from Bénitiers, plate 5, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
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2. Read the arithmetic
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3. Seal and export
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