
Terracotta hydria: kalpis (water jar)
Washing Painter
ca. 430–420 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
253 ms. The Metropolitan Museum of Art, Collection API (Open Access)
354 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,818 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta hydria: kalpis (water jar)
Washing Painter
ca. 430–420 BCE · Terracotta
Cleared · Public Domain
live
Terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings)
Washing Painter
ca. 430–420 BCE · Terracotta
Cleared · Public Domain
live
Terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings)
Washing Painter
ca. 430–420 BCE · Terracotta
Cleared · Public Domain
live
Terracotta oon (egg)
Washing Painter
ca. 420–410 BCE · Terracotta
Cleared · Public Domain
live
Terracotta squat lekythos (oil flask)
Washing Painter
ca. 430–420 BCE · Terracotta
Cleared · Public Domain
live
Terracotta squat lekythos (oil flask)
Washing Painter
ca. 420 BCE · Terracotta
Cleared · Public Domain
live
The washing of hands
Wenceslaus Hollar (d. 1677)
1644–52 · Etching, only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Crucifixion, from Bénitiers, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Holy Family, from Bénitiers, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Assumption of the Virgin, from Bénitiers, plate 6, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Resurrection, from Bénitiers, plate 5, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Washing of the Feet, from Bénitiers et appliques, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.