Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
326 ms. The Metropolitan Museum of Art, Collection API (Open Access)
540 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 136 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for an Altar: Two Halved Variants
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush with gray, red chalk and yellow wash, over leadpoint or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink
Cleared · Public Domain
live
Two halved variants for a Chapel
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, with ruled and compass construction in pen and brown ink on cream laid paper covered with brown wash. Scale at bottom of drawing in pen and and brown ink
Cleared · Public Domain
live
Two One Half Variants of a Design for Painted Wall Decoration with Arch and Perspective View Inside (recto); Negligible diagrams and compass drawn circle (verso)
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–80 · Pen and brown ink, brush and gray, red-chalk, and yellow wash, over leadpoint or graphite, with ruled construction (recto); compass construction in leadpoint or graphite, at top (verso); scribble in black chalk towards bottom (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Different designs for decor with two variants for a cartouche at bottom center, plate 4 from 'Recherche de plusieurs beaux morceaux d'ornemens pour seruir aux frontons des placarts plaphons et Lembris [Lambris et autres décors]', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
1661 · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font ornamented with the Crucifixion and with the Magdalen at the bottom, from Bénitiers, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Font with two variants at bottom and ornamented with the Adoration of the Shepherds, from Bénitiers, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for ceiling corners with a bust of an imperator at bottom center, plate 6 from 'Angles de plafons de galeries et autres ornements', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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