
A Castle, plate 22 from "Regiunculae et Villae Aliquot Ducatus Brabantiae"
Claes Jansz. Visscher (d. 1652)
ca. 1610 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
328 ms. The Metropolitan Museum of Art, Collection API (Open Access)
281 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 56 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A Castle, plate 22 from "Regiunculae et Villae Aliquot Ducatus Brabantiae"
Claes Jansz. Visscher (d. 1652)
ca. 1610 · Etching
Cleared · Public Domain
live
Footbridge Near Chingford
Peter Henry Emerson (d. 1936)
1888 · Photograph, photogravure
Cleared · CC0
live
Imaginary View with a Tomb by the Lagoon
Canaletto (Giovanni Antonio Canal) (d. 1768)
early 1740s · Oil on canvas
Cleared · Public Domain
live
Bridge and Cows, part I, plate 2 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 11, 1807 · Etching and mezzotint; second state of five (Finberg)
Cleared · Public Domain
live
The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella
Charles Meryon (d. 1868)
1860 · Etching; seventh state of twelve
Cleared · Public Domain
live
Landscape with Cows Watering in a Stream
Robert S. Duncanson (d. 1872)
1871 · Oil on canvas
Cleared · Public Domain
live
Pike Pool
George Bankart
1880s, printed 1888 · Photogravure
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings by the Late John Crome, founder of the Norwich Society of Artists, and Printed from the Plates as Left by Himself
John Crome (d. 1821)
1834 · Etching, softground etching, drypoint, all on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mill Dam at "Sleepy Hollow"
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Footbridge
John Henry Twachtman (d. 1902)
1879–80 · Etching, second state of two (posthumous Keppel impression)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bridge over a Pond of Water Lilies
Claude Monet (d. 1926)
1899 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Waterville, Maine, Foot Bridge.
Unrecorded maker
1900s–1930s · Photomechanical print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.