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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    328 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    281 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 56 matching records exist across the two collections.

Results for "Footbridge Near Chingford"12 records

Institutions answered newest-first by record, interleaved

A Castle, plate 22 from "Regiunculae et Villae Aliquot Ducatus Brabantiae" by Claes Jansz. Visscher, The Metropolitan Museum of Art

A Castle, plate 22 from "Regiunculae et Villae Aliquot Ducatus Brabantiae"

Claes Jansz. Visscher (d. 1652)

ca. 1610 · Etching

Cleared · Public Domain

live
The MetSimilar
Footbridge Near Chingford by Peter Henry Emerson, The Cleveland Museum of Art

Footbridge Near Chingford

Peter Henry Emerson (d. 1936)

1888 · Photograph, photogravure

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Imaginary View with a Tomb by the Lagoon by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

Imaginary View with a Tomb by the Lagoon

Canaletto (Giovanni Antonio Canal) (d. 1768)

early 1740s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Bridge and Cows, part I, plate 2 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Bridge and Cows, part I, plate 2 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

June 11, 1807 · Etching and mezzotint; second state of five (Finberg)

Cleared · Public Domain

live
The MetSimilar
The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella by Charles Meryon, The Metropolitan Museum of Art

The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella

Charles Meryon (d. 1868)

1860 · Etching; seventh state of twelve

Cleared · Public Domain

live
The MetSimilar
Landscape with Cows Watering in a Stream by Robert S. Duncanson, The Metropolitan Museum of Art

Landscape with Cows Watering in a Stream

Robert S. Duncanson (d. 1872)

1871 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Pike Pool by George Bankart, The Metropolitan Museum of Art

Pike Pool

George Bankart

1880s, printed 1888 · Photogravure

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings by the Late John Crome, founder of the Norwich Society of Artists, and Printed from the Plates as Left by Himself

John Crome (d. 1821)

1834 · Etching, softground etching, drypoint, all on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Mill Dam at "Sleepy Hollow"

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Footbridge

John Henry Twachtman (d. 1902)

1879–80 · Etching, second state of two (posthumous Keppel impression)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bridge over a Pond of Water Lilies

Claude Monet (d. 1926)

1899 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Waterville, Maine, Foot Bridge.

Unrecorded maker

1900s–1930s · Photomechanical print

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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