
Riverscape with a Double Bridge
Lucas Gassel (d. 1500)
ca. 1560–70 · Etching and engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1703 ms. The Metropolitan Museum of Art, Collection API (Open Access)
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,186 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Riverscape with a Double Bridge
Lucas Gassel (d. 1500)
ca. 1560–70 · Etching and engraving
Cleared · Public Domain
live
Riverscape with a Double Bridge
Lucas Gassel (d. 1500)
ca. 1560–70 · Etching and engraving
Cleared · Public Domain
live
Landscape with a Bridge
Flanders (d. 1669)
mid-17th century · Pen and brown ink, brush and bluish gray wash over traces of graphite
Cleared · Public Domain
live
Townscape with a Bridge
Unrecorded maker
17th century (?) · Black chalk, with brush and gray and brown wash (recto); black chalk (verso)
Cleared · Public Domain
live
Footpath with a Bridge
Caspar David Friedrich (d. 1840)
November 20–22, 1802(?) · Etching; only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Riverscape with a Stone Bridge and a Wooden Bridge
Aegidius Sadeler II (d. 1629)
1586–1629 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with a Stone Bridge
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Footed Vessel with the Handle of the Lid in the Form of a Man
John Bridge (d. 1834)
1780–1834 · Pen and ink on yellow tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Footed Vessel with the Handle of the Lid in the Form of a Woman
John Bridge (d. 1834)
1775–1834 · Pen and ink on yellow tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with a Bridge
Anonymous, German, 19th century (d. 1899)
19th century · Brush and brown ink, heightened with gouache, traces of graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From Hungerford Bridge
Edgar Wilson (d. 1918)
1875–1918 · Etching with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Footpath in the Siebengebirge
August Sander (d. 1964)
ca. 1934 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.