Bowl
Unrecorded maker
8th–9th century · Earthenware; painted in black slip and polychrome pigments under a transparent colorless glaze (buff ware)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
616 ms. The Metropolitan Museum of Art, Collection API (Open Access)
373 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Bowl
Unrecorded maker
8th–9th century · Earthenware; painted in black slip and polychrome pigments under a transparent colorless glaze (buff ware)
Cleared · Public Domain
live
Saint Francis Receiving the Stigmata
Niccolo Boldrini (d. 1566)
1535–45 · Print, woodcut
Cleared · CC0
live
Jar
Unrecorded maker
9th century · Earthenware; buff body, green glaze
Cleared · Public Domain
liveBowl
Unrecorded maker
late 10th century · Earthenware; polychrome decoration under transparent glaze (buff ware)
Cleared · Public Domain
live
Bowl
Unrecorded maker
9th–10th century · Earthenware; incised decoration under monochrome glaze
Cleared · Public Domain
live
Male Papaya Tree
Unrecorded maker
ca. 1790–1800 · Watercolor on paper
Cleared · Public Domain
live
View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio)
John Rubens Smith (d. 1849)
1825 · Aquatint printed in color with hand-coloring; first state (Koke)
Cleared · Public Domain
live
Lion Ornament
Asante-Akan artist
19th century · Gold
Cleared · Public Domain
live
Lion Ornament
Asante-Akan artist
19th century · Gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ceramic Fragment
Unrecorded maker
8th–12th century · Earthenware; incised and splashed with polychrome glazes
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beach Scene
Lockwood de Forest (d. 1932)
1877 · Oil on card
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Forest Yield
Alice Standish Buell (d. 1964)
ca. 1945 · Drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.