Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    156 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    443 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 287 matching records exist across the two collections.

Results for "Fortitude standing and leaning on trunca"12 records

Institutions answered newest-first by record, interleaved

Standing Youth Leaning on a Long Staff (recto); Seated Man (verso) by Domenico Veneziano, The Metropolitan Museum of Art

Standing Youth Leaning on a Long Staff (recto); Seated Man (verso)

Domenico Veneziano (d. 1461)

1440–60 · Brush and gray wash, highlighted with brush and white gouache, on faded blue paper (recto); faint black chalk sketch of a seated man (verso)

Cleared · Public Domain

live
The MetSimilar
Half-Length Study of a Man Standing in Frontal View, Leaning on Armor and Accompanied by a Boy by Federico Zuccaro (Zuccari), The Metropolitan Museum of Art

Half-Length Study of a Man Standing in Frontal View, Leaning on Armor and Accompanied by a Boy

Federico Zuccaro (Zuccari) (d. 1609)

1540–1609 · Black and red chalk on tan paper

Cleared · Public Domain

live
The MetSimilar
The poet, standing crowned with laurel, leaning on a stone by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

The poet, standing crowned with laurel, leaning on a stone

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

1620–21 · Etching

Cleared · Public Domain

live
The MetSimilar
Beggar in a High Cap, Standing and Leaning on a Stick by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Beggar in a High Cap, Standing and Leaning on a Stick

Rembrandt (Rembrandt van Rijn) (d. 1669)

ca. 1629 · Etching, New Holl. second state of two

Cleared · Public Domain

live
The MetSimilar
Standing Old Man in Frontal View Leaning On a Staff by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Standing Old Man in Frontal View Leaning On a Staff

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, over black chalk on light tan paper

Cleared · Public Domain

live
The MetSimilar
Man Leaning on a Wall (recto) by Jean-Baptiste Joseph Pater, The Metropolitan Museum of Art

Man Leaning on a Wall (recto)

Jean-Baptiste Joseph Pater (d. 1736)

early 18th century · Red chalk heightened with white, on blue paper

Cleared · Public Domain

live
The MetSimilar
Two Seated Figures; One Sleeping Figure; Standing Man Leaning on Ship Railing (from Sketchbook) by Thomas Sully, The Metropolitan Museum of Art

Two Seated Figures; One Sleeping Figure; Standing Man Leaning on Ship Railing (from Sketchbook)

Thomas Sully (d. 1872)

1810–20 · Ink, wash, on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Virtues: Fortitude

Etienne Delaune (d. 1583)

1576 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fortitude (?) standing and holding a tower in left hand

Peter Flötner (d. 1546)

16th century · Lead

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fortitude standing and leaning on truncated column

Peter Flötner (d. 1546)

16th century · Lead

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Standing Man Leaning on a Parapet; Seated Woman, Leaning on a Pedestal; Woman Walking; Man Walking, Seen in Profile

Antoine Watteau (d. 1721)

1709–10 · Etching and engraving; state four of six

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New College Window, Oxford: Fortitude

Georg Siegmund Facius (d. 1813)

June 1, 1782 · Stipple engraving and etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.