
Scenes from the Tales of Ise
Unrecorded maker
first half of the 17th century · Pair of six-panel folding screens; ink, color, and gold on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
273 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 39 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Scenes from the Tales of Ise
Unrecorded maker
first half of the 17th century · Pair of six-panel folding screens; ink, color, and gold on paper
Cleared · Public Domain
live
Forty-nine scenes from the Tales of Ise
Satomura Genchin (d. 1665)
mid-17th century · Pair of six-panel folding screens, with ninety-eight paintings and poem cards (shikishi) applied to gold leaf on paper; paintings: ink and red ink on paper, text: ink on paper
Cleared · Public Domain
live
"At the Edge of the River Akutagawa" from the Tales of Ise (Ise monogatari)
Sugimura Jihei (d. 1700)
1703 · Monochrome woodblock print; ink on paper
Cleared · Public Domain
live
A Garden of Celebrated Japanese and Chinese Paintings (Wakan meigaen} 和漢名画苑
Ooka Shunboku 大岡春卜 (d. 1763)
1750 · Set of six woodblock-printed books bound as one, with additional volume; ink on paper
Cleared · Public Domain
live
Drawing the First Water of the New Year
Suzuki Harunobu (d. 1770)
ca. 1769–70 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Scenes from the Tales of Ise (Ise monogatari)
Tosa School
late 18th century · Set of album leaf paintings; ink and color on paper (shikishi)
Cleared · Public Domain
live
Tales of Ise (Ise monogatari)
Unrecorded maker
18th century · Three illustrated books; ink, color, and gold on paper
Cleared · Public Domain
live
Box with the Poet Narihira
Unrecorded maker
early 19th century · Black lacquer over copper, inlaid with mother-of-pearl
Cleared · Public Domain
liveIncense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi)
Yamada Jōkasai (1681–1704) (d. 1704)
19th century · Gold-speckled aventurine (nashiji) lacquer with sprinkled and polished design (hiramakie)
Cleared · Public Domain
live
Writing Box (Suzuribako) with Episodes from the Tales of Ise (Ise monogatari)
Nakayama Komin (d. 1870)
19th century · Gold maki-e with inlaid silver on lacquer
Cleared · Public Domain
live
Writing box and desk with scenes from The Tales of Ise (Ise monogatari)
Unrecorded maker
early 20th century · Lacquered wood with gold, silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on gold and nashiji ground, silver fittings
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.