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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    307 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    399 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Fountain of Notre Dame at Saint-Brieuc,"12 records

Institutions answered newest-first by record, interleaved

Chapter House from Notre-Dame-de-Pontaut by an unrecorded maker, The Metropolitan Museum of Art

Chapter House from Notre-Dame-de-Pontaut

Unrecorded maker

12th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Fountain of Notre-Dame at Saint-Brieuc, Brittany by Louis-Rémy Robert, The Cleveland Museum of Art

Fountain of Notre-Dame at Saint-Brieuc, Brittany

Louis-Rémy Robert (d. 1882)

c. 1853 · Photograph, salted paper print from calotype negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Panels of Grisaille Glass with Grotesques by an unrecorded maker, The Metropolitan Museum of Art

Panels of Grisaille Glass with Grotesques

Unrecorded maker

ca. 1320–24 · White and pot-metal glass with vitreous paint

Cleared · Public Domain

live
The MetSimilar
Fountain of Notre Dame at Saint-Brieuc, Brittany by Louis-Rémy Robert, The Cleveland Museum of Art

Fountain of Notre Dame at Saint-Brieuc, Brittany

Louis-Rémy Robert (d. 1882)

c. 1853 · Photograph, waxed paper negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Centurion and Two Soldiers, from a Crucifixion Group by an unrecorded maker, The Metropolitan Museum of Art

The Centurion and Two Soldiers, from a Crucifixion Group

Unrecorded maker

ca. 1340–50 · Marble, gilding

Cleared · Public Domain

live
The MetSimilar
The Virgin Supported by Saint John, from a Crucifixion Group by an unrecorded maker, The Metropolitan Museum of Art

The Virgin Supported by Saint John, from a Crucifixion Group

Unrecorded maker

ca. 1340–50 · Marble, traces of gilding

Cleared · Public Domain

live
The MetSimilar
The Right Hand of God Protecting the Faithful against the Demons by Jean Fouquet, The Metropolitan Museum of Art

The Right Hand of God Protecting the Faithful against the Demons

Jean Fouquet (d. 1478)

ca. 1452–60 · Tempera and gold leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Reliquary Bust of Saint Barbara by Niclaus Gerhaert von Leyden, The Metropolitan Museum of Art

Reliquary Bust of Saint Barbara

Niclaus Gerhaert von Leyden (d. 1473)

ca. 1465 · Walnut with paint and gilding

Cleared · Public Domain

live
The MetSimilar
Reliquary Bust of Saint Catherine of Alexandria by Niclaus Gerhaert von Leyden, The Metropolitan Museum of Art

Reliquary Bust of Saint Catherine of Alexandria

Niclaus Gerhaert von Leyden (d. 1473)

ca. 1465 · Walnut with paint and gilding; limewood base

Cleared · Public Domain

live
The MetSimilar
Martyrdom of Saint Lawrence by Lucas Vorsterman I, The Metropolitan Museum of Art

Martyrdom of Saint Lawrence

Lucas Vorsterman I (d. 1675)

1621 · Engraving; second state of two (Hollstein)

Cleared · Public Domain

live
The MetSimilar
Saint Job seated at right receiving the gifts of the people, archway at left, after Reni by Giuliano Traballesi, The Metropolitan Museum of Art

Saint Job seated at right receiving the gifts of the people, archway at left, after Reni

Giuliano Traballesi (d. 1812)

ca. 1760–1800 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Fontaine et la Tour Magne, Nîmes

Camille Bernabé

1852 · Salted paper print

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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