Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    344 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    14 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 79 matching records exist across the two collections.

Results for "Fountain with a Nymph, Villa Borghese"12 records

Institutions answered newest-first by record, interleaved

Alpheus and Arethusa by Battista di Domenico Lorenzi, The Metropolitan Museum of Art

Alpheus and Arethusa

Battista di Domenico Lorenzi (d. 1594)

1568–70 · Marble

Cleared · Public Domain

live
The MetSimilar
Altra Vedvta in Prospettiva del Teatro et Giardino Contigvo di Mondragone in Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 18) by Giovanni Battista Falda, The Metropolitan Museum of Art

Altra Vedvta in Prospettiva del Teatro et Giardino Contigvo di Mondragone in Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 18)

Giovanni Battista Falda (d. 1678)

1691 or after · Etching

Cleared · Public Domain

live
The MetSimilar
Fontana di Mercurio nel Giardino del Gran Duca di Toscana (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 3, 'Le Fontane ne' Palazzi di Roma' (plate 9) by Giovanni Francesco Venturini, The Metropolitan Museum of Art

Fontana di Mercurio nel Giardino del Gran Duca di Toscana (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 3, 'Le Fontane ne' Palazzi di Roma' (plate 9)

Giovanni Francesco Venturini (d. 1700)

1691 or after · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Villa Borghese by Simon Felice, The Metropolitan Museum of Art

View of the Villa Borghese

Simon Felice (d. 1699)

after 1677 · Etching

Cleared · Public Domain

live
The MetSimilar
Nymph with a Shell by Antoine Coysevox, The Metropolitan Museum of Art

Nymph with a Shell

Antoine Coysevox (d. 1724)

Late 17th century · Bronze, on modern porphyry base

Cleared · Public Domain

live
The MetSimilar
Umbrella pines in the Villa Borghese, Rome by William James Müller, The Metropolitan Museum of Art

Umbrella pines in the Villa Borghese, Rome

William James Müller (d. 1845)

1839 · Watercolor over graphite underdrawing, with stippling, washes and reductive techniques, selectively coated with gum arabic

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Perpective Depiction of a Garden at Voorst with a Fountain Decorated with a Satyr and Nymph, from Liure de Fontaines, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1701–12 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of a Perspective Depiction of a Garden at Voorst with a Fountain Decorated with a Satyr and Nymph, from Liure de Fontaines

Daniel Marot the Elder (d. 1752)

after 1701–3 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountain of Aescalapius, Villa Borghese

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountain of the Amorini, Villa Borghese

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountain with a Nymph, Villa Borghese

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fountain of the Sea-Horses

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.