
Alpheus and Arethusa
Battista di Domenico Lorenzi (d. 1594)
1568–70 · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
344 ms. The Metropolitan Museum of Art, Collection API (Open Access)
14 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 79 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Alpheus and Arethusa
Battista di Domenico Lorenzi (d. 1594)
1568–70 · Marble
Cleared · Public Domain
live
Altra Vedvta in Prospettiva del Teatro et Giardino Contigvo di Mondragone in Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 18)
Giovanni Battista Falda (d. 1678)
1691 or after · Etching
Cleared · Public Domain
live
Fontana di Mercurio nel Giardino del Gran Duca di Toscana (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 3, 'Le Fontane ne' Palazzi di Roma' (plate 9)
Giovanni Francesco Venturini (d. 1700)
1691 or after · Etching
Cleared · Public Domain
live
View of the Villa Borghese
Simon Felice (d. 1699)
after 1677 · Etching
Cleared · Public Domain
live
Nymph with a Shell
Antoine Coysevox (d. 1724)
Late 17th century · Bronze, on modern porphyry base
Cleared · Public Domain
live
Umbrella pines in the Villa Borghese, Rome
William James Müller (d. 1845)
1839 · Watercolor over graphite underdrawing, with stippling, washes and reductive techniques, selectively coated with gum arabic
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perpective Depiction of a Garden at Voorst with a Fountain Decorated with a Satyr and Nymph, from Liure de Fontaines, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1701–12 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of a Perspective Depiction of a Garden at Voorst with a Fountain Decorated with a Satyr and Nymph, from Liure de Fontaines
Daniel Marot the Elder (d. 1752)
after 1701–3 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain of Aescalapius, Villa Borghese
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain of the Amorini, Villa Borghese
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain with a Nymph, Villa Borghese
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fountain of the Sea-Horses
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.