
Hacha head
Classic Veracruz artist(s)
600–900 CE · Andesite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1025 ms. The Metropolitan Museum of Art, Collection API (Open Access)
268 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Hacha head
Classic Veracruz artist(s)
600–900 CE · Andesite
Cleared · Public Domain
live
Beaker with figure and Spondylus shell
Lambayeque (Sicán) artist(s)
900–1100 CE · Gold
Cleared · Public Domain
live
Design Fragment for the Left Side of the 'Fonte Gaia' in Siena
Jacopo della Quercia (Jacopo di Pietro d’Angelo di Guarnieri) (d. 1438)
1415–16 · Pen and medium brown ink, brush and brown wash, over traces of leadpoint and ruling, on vellum, glued onto secondary paper support
Cleared · Public Domain
live
Triton
Giambologna (d. 1608)
1590s · Bronze
Cleared · Public Domain
live
Musical Clock with Spinet and Organ
Veit Langenbucher (d. 1631)
ca. 1625 · Ebony, gliding, brass, silver gilt, gilt brass, iron, various wood and metals, wire, parchment and leather
Cleared · Public Domain
live
Neptune with a dolphin
Gian Lorenzo Bernini (d. 1680)
late 17th century or early 18th century · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain with Hercules grasping a column and with Tritons holding urns at the base, from Grandes fontaines, plate 6, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain with Tritons carrying Naiads at the base, from Grandes fontaines, plate 5, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain with two tritons taking control of sea monster, from Jets d'eau, plate 3, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Vrai et le Faux Chic, Musée des Erreurs, Page 1
Georges Goursat [Sem] (d. 1934)
1914 · Color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mbra figure
Baule artist
19th–mid-20th century · Wood, paint, plant fiber, hair, feathers
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.