
Rievaulx Abbey
Roger Fenton (d. 1819)
1854 · Albumen silver print from glass negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
264 ms. The Metropolitan Museum of Art, Collection API (Open Access)
363 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Rievaulx Abbey
Roger Fenton (d. 1819)
1854 · Albumen silver print from glass negative
Cleared · Public Domain
live
Wharfe and Pool, Below the Strid
Roger Fenton (d. 1819)
1854 · Salted paper print
Cleared · Public Domain
live
Fountains Abbey. The Chapel of the Nine Alters, Exterior
Joseph Cundall (d. 1895)
1850s · Albumen silver print
Cleared · Public Domain
live
Fountains Abbey. The Chapel of the Nine Alters, Interior
Joseph Cundall (d. 1895)
1850s · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. I
James Storer (d. 1853)
1807 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. III
James Storer (d. 1853)
1808 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. IV
James Storer (d. 1853)
1808 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. VII
James Storer (d. 1853)
1810 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. IX
James Storer (d. 1853)
1811 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Fountains Abbey, North Yorkshire, UK, Looking West]
Unknown
1855–1870 · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
No. 544: Fountains Abbey -- The Lady Chapel.
George Washington Wilson (d. 1893)
1860s–70s · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountains Abbey, Yorkshire: Chapel of the Nine Altars, from "The Portfolio"
Alfred-Louis Brunet-Debaines (d. 1939)
1882 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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