Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1703 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    268 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 173 matching records exist across the two collections.

Results for "Four Captive Demons"12 records

Institutions answered newest-first by record, interleaved

Faience aryballos (perfume vase) in the form of four heads by an unrecorded maker, The Metropolitan Museum of Art

Faience aryballos (perfume vase) in the form of four heads

Unrecorded maker

late 6th century BCE · Faience

Cleared · Public Domain

live
The MetSimilar
One of the Four Heavenly Kings by an unrecorded maker, The Metropolitan Museum of Art

One of the Four Heavenly Kings

Unrecorded maker

late 11th–early 12th century · Painted wood, ichiboku technique

Cleared · Public Domain

live
The MetSimilar
Tobatsu Bishamonten by an unrecorded maker, The Metropolitan Museum of Art

Tobatsu Bishamonten

Unrecorded maker

late 10th–early 11th century · Zelkova wood with traces of color

Cleared · Public Domain

live
The MetSimilar
Guardian Protector of the East (Dongfang chiguo tianwang) by an unrecorded maker, The Metropolitan Museum of Art

Guardian Protector of the East (Dongfang chiguo tianwang)

Unrecorded maker

11th–12th century · Partially gilt arsenical bronze; lost-wax cast

Cleared · Public Domain

live
The MetSimilar
Four Captive Demons by an unrecorded maker, The Metropolitan Museum of Art

Four Captive Demons

Unrecorded maker

1470–1500 · Watercolor and gold on silk

Cleared · Public Domain

live
The MetSimilar
Safavid Courtiers Leading Georgian Captives by an unrecorded maker, The Metropolitan Museum of Art

Safavid Courtiers Leading Georgian Captives

Unrecorded maker

mid-16th century · Silk, metal wrapped thread; lampas

Cleared · Public Domain

live
The MetSimilar
Pride and Folly, from a Series of Tazza Designs by Theodor de Bry, The Metropolitan Museum of Art

Pride and Folly, from a Series of Tazza Designs

Theodor de Bry (d. 1598)

ca. 1588 · Engraving

Cleared · Public Domain

live
The MetSimilar
Demon queller Zhong Kui with demons by an unrecorded maker, The Metropolitan Museum of Art

Demon queller Zhong Kui with demons

Unrecorded maker

late 17th–early 18th century · Bamboo

Cleared · Public Domain

live
The MetSimilar
Tail Piece to Volume Three: The Genii of Caricature Bringing in Fresh Supplies by Thomas Rowlandson, The Metropolitan Museum of Art

Tail Piece to Volume Three: The Genii of Caricature Bringing in Fresh Supplies

Thomas Rowlandson (d. 1827)

ca. 1809 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Rescue–Sergeants Newton and Jasper of Marion's Brigade, rescuing American prisoners from a British guard, who had stacked their muskets while resting near a spring, South Carolina, 1779. by Currier & Ives, The Metropolitan Museum of Art

The Rescue–Sergeants Newton and Jasper of Marion's Brigade, rescuing American prisoners from a British guard, who had stacked their muskets while resting near a spring, South Carolina, 1779.

Currier & Ives (d. 1907)

1876 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Box of an Outer Coffin of an Anonymous Female

Unrecorded maker

ca. 1080–945 BCE · Wood, gesso, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Captive of V Hugo (La Captive de V. Hugo), published in Les Beaux-Arts, volume 1, 1843

Paul Gavarni [Chevalier] (d. 1866)

1843 · Crayon and ink lithograph with scraping; second state of four

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.