
The Four Windmills
Wenceslaus Hollar (d. 1677)
1650 · Etching; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
123 ms. The Metropolitan Museum of Art, Collection API (Open Access)
463 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,268 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Four Windmills
Wenceslaus Hollar (d. 1677)
1650 · Etching; first state of two
Cleared · Public Domain
live
Four Friends, first state
George Bellows (d. 1925)
1921 · Print, lithograph
Cleared · CC0
live
The First Stage of Cruelty (The Four Stages of Cruelty)
William Hogarth (d. 1764)
February 1, 1751 · Etching and engraving; first state of two
Cleared · Public Domain
live
The Thames, or the Triumph of Navigation
James Barry (d. 1806)
1792–1801 · Etching with engraving; second state of five
Cleared · Public Domain
live
Portrait of Charles Hayem
Marcellin Desboutin (d. 1902)
1876 · Drypoint; first state of three
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four Little Combats: Children
Etienne Delaune (d. 1583)
before 1573 · Engraving: first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four Camels from Four- Legged Animals
Nicolaes de Bruyn (d. 1656)
1594 · Engraving; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four Butterflies
Wenceslaus Hollar (d. 1677)
1646 · Etching; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[First Amendment]
Unrecorded maker
ca. 1837–ca. 1840 · Earthenware, transfer-printed
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Siesta on a Boat
John Singer Sargent (d. 1925)
1876 · Graphite on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Cows
Sir Francis Seymour Haden (d. 1910)
1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Cows
Sir Francis Seymour Haden (d. 1910)
1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.