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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    1202 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Four Studies after Giambologna's "Venus"11 records

Institutions answered newest-first by record, interleaved

Cassone (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Cassone (one of a pair)

Unrecorded maker

ca. 1550–60 · Walnut, carved and partially gilded

Cleared · Public Domain

live
The MetSimilar
Temperance by Giovanni Caccini, The Metropolitan Museum of Art

Temperance

Giovanni Caccini (d. 1613)

1583–84 · Marble

Cleared · Public Domain

live
The MetSimilar
Four Studies after Giambologna's "Venus Leaving the Bath" by Hans Bock the Younger, The Metropolitan Museum of Art

Four Studies after Giambologna's "Venus Leaving the Bath"

Hans Bock the Younger (d. 1626)

ca. 1590 · Pen and brown and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Trotting horse by Giambologna, The Metropolitan Museum of Art

Trotting horse

Giambologna (d. 1608)

probably 1587–91 · Bronze

Cleared · Public Domain

live
The MetSimilar
Saint John by Antonio Susini, The Metropolitan Museum of Art

Saint John

Antonio Susini (d. 1624)

1596 · Bronze

Cleared · Public Domain

live
The MetSimilar
Saint Matthew by Antonio Susini, The Metropolitan Museum of Art

Saint Matthew

Antonio Susini (d. 1624)

1596 · Bronze

Cleared · Public Domain

live
The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

live
The MetSimilar
Tarquin and Lucretia by Hubert Gerhard, The Metropolitan Museum of Art

Tarquin and Lucretia

Hubert Gerhard (d. 1621)

1605–10 · Bronze

Cleared · Public Domain

live
The MetSimilar
Hermaphrodite by Giovanni Francesco Susini, The Metropolitan Museum of Art

Hermaphrodite

Giovanni Francesco Susini (d. 1653)

1639 · Bronze

Cleared · Public Domain

live
The MetSimilar
David and Goliath by Francesco Fanelli, The Metropolitan Museum of Art

David and Goliath

Francesco Fanelli (d. 1665)

17th century cast · Bronze

Cleared · Public Domain

live
The MetSimilar
Pair of five-light candelabra by Luigi Valadier, The Metropolitan Museum of Art

Pair of five-light candelabra

Luigi Valadier (d. 1785)

1774 · Bronze, fire-gilt; porphyry, iron (pin)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.