
Tomb Chapel of Raemkai: West Wall
Unrecorded maker
ca. 2446–2389 BCE · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
247 ms. The Metropolitan Museum of Art, Collection API (Open Access)
438 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,105 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tomb Chapel of Raemkai: West Wall
Unrecorded maker
ca. 2446–2389 BCE · Limestone, paint
Cleared · Public Domain
live
East Wall, South Side of Nakht's Offering Chapel
Norman de Garis Davies (d. 1941)
1908–1910; original ca. 1410–1370 BCE · Tempera on paper
Cleared · Public Domain
live
Wall painting on black ground: cornice fragment, from the imperial villa at Boscotrecase
Unrecorded maker
last decade of the 1st century BCE · Fresco
Cleared · Public Domain
live
Wall painting on black ground: landscape, from the imperial villa at Boscotrecase
Unrecorded maker
last decade of the 1st century BCE · Fresco
Cleared · Public Domain
live
Wall painting on black ground: pair of supports, from the imperial villa at Boscotrecase
Unrecorded maker
last decade of the 1st century BCE · Fresco
Cleared · Public Domain
live
Wall painting on black ground: supports with entablature, from the imperial villa at Boscotrecase
Unrecorded maker
last decade of the 1st century BCE · Fresco
Cleared · Public Domain
live
Wall painting on black ground: supports with entrablature, from the imperial villa at Boscotrecase
Unrecorded maker
last decade of the 1st century BCE · Fresco
Cleared · Public Domain
live
A Woman Seated Near a Basket on a Stool
Cornelis Bega (d. 1664)
ca. 1658–62 · Black chalk, heightened with white chalk, on blue paper; framing line in pen and brown ink, probably by a later hand
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two warriors seated on a low wall and talking, from "Figurine"
Salvator Rosa (d. 1673)
ca. 1656–57 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A warrior holding a tablet and shield seated on a low wall turned towards two warriors, from "Figurine"
Salvator Rosa (d. 1673)
ca. 1656–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four warriors, one seated on a low wall and three others standing behind him, from "Figurine"
Salvator Rosa (d. 1673)
ca. 1656–57 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two warriors seated on a low wall, one holding a staff on his shoulder and the other turned towards him and raising his right arm, a copy in reverse from "Figurine"
Salvator Rosa (d. 1673)
after 1656–57 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.