
Jewelry Elements for a Broad Collar
Unrecorded maker
ca. 1347–1330 BCE · Faience
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
643 ms. The Metropolitan Museum of Art, Collection API (Open Access)
364 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,602 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Jewelry Elements for a Broad Collar
Unrecorded maker
ca. 1347–1330 BCE · Faience
Cleared · Public Domain
liveIncised Shell Pendant for Necklace
Unrecorded maker
10th–15th century · Shell
Cleared · Public Domain
live
Necklace with jaguar teeth-shaped beads
Mixtec (Ñuu Savi) artist(s)
1325–1521 CE · Gold
Cleared · Public Domain
live
Necklace
Unrecorded maker
1845–50 · Seed pearls, mother-of-pearl, horsehair, silk and yellow gold
Cleared · Public Domain
live
Gold necklace with pendants of amphora and beads
Unrecorded maker
ca. 1840–70 · Gold
Cleared · Public Domain
live
Necklace with Satyr's-head pendants
Carlo Giuliano (d. 1895)
ca. 1870 · Gold, lapis lazuli, pearls, enamel
Cleared · Public Domain
live
Necklace
Unrecorded maker
19th century · Silver and cloth
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fourteen pendants for a necklace
Unrecorded maker
ca. 1887–1750 BC · Silver and shell
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Necklace
René-Jules Lalique (d. 1945)
ca. 1897–99 · Gold, enamel, opals, amethysts
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Necklace
Marie Zimmermann (d. 1972)
1920–28 · Gold, shattuckite, and coral
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a necklace with blue and green beaded details
Fernand Chardon (d. 1930)
ca. 1925 · Gouache over graphite outline; outlined in pen and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Necklace with Faceted Carnelian
Unrecorded maker
ca. 1900–1950 · Silver, carnelian
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.