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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    333 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 56 matching records exist across the two collections.

Results for "Fox Hunting, Plate 3"12 records

Institutions answered newest-first by record, interleaved

Plate with a scene from Métamorphoses du Jour (plate 3) by Creil, The Metropolitan Museum of Art

Plate with a scene from Métamorphoses du Jour (plate 3)

Creil (d. 1895)

ca. 1830–40 · Glazed earthenware with transfer-printed decoration

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 10: Hare and Fox Hunt, from 'Hunting Scenes IV'

Antonio Tempesta (d. 1630)

1598 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bear Hunting, plate 3 from Has Venationis, Aucupii, et Piscationis (Scenes of Hunting and Fishing), title from a series of ten plates after Vinckboons by various artists

David Vinckboons (d. 1629)

1612 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fox Hunting, plate 2 from Has Venationis, Aucupii, et Piscationis (Scenes of Hunting and Fishing), title from a series of ten plates after Vinckboons by various artists

David Vinckboons (d. 1629)

1612 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hunting the Calydonian Boar, from a series of four plates depicting mythological subjects, plate 3, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 3, from "Pieces and ornaments of guns" (Plusieurs Pieces Et Ornements Darquebuzerie...)

Claude Simonin (d. 1693)

1684–1705 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate from "Nouveaux dessins d'arquebuseries..."

De Lacollombe (d. 1736)

1705–36 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate from Nouveaux dessins d'arquebuseries...

De Lacollombe (d. 1736)

1705–36 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fox Hunting, Plate 1

Thomas Sutherland (d. 1838)

1817 · Hand-colored aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fox Hunting, Plate 2

Thomas Sutherland (d. 1838)

1817 · Hand-colored aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fox Hunting, Plate 3

Thomas Sutherland (d. 1838)

1817 · Hand-colored aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fox Hunting, Plate 4

Thomas Sutherland (d. 1838)

1817 · Hand-colored aquatint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.