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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    271 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    402 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,185 matching records exist across the two collections.

Results for "Fragment of Double Capital"12 records

Institutions answered newest-first by record, interleaved

Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Double Capital

Unrecorded maker

late 13th–early 14th century · White marble

Cleared · Public Domain

live
The MetSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Fragment of Double Capital

Unrecorded maker

late 13th–early 14th century · Marble

Cleared · Public Domain

live
The MetSimilar
Talatat: Portrait of Nefertiti by an unrecorded maker, The Cleveland Museum of Art

Talatat: Portrait of Nefertiti

Unrecorded maker

c. 1353–1347 BCE · Sculpture, painted sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Double Capital

Unrecorded maker

late 15th century · Marble

Cleared · Public Domain

live
The MetSimilar
Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus

Unrecorded maker

1145–1165 · Sculpture, quartz sandstone with traces of polychromy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Double Capital

Unrecorded maker

late 15th century · Marble

Cleared · Public Domain

live
The MetSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Double Capital

Unrecorded maker

late 15th century · Marble

Cleared · Public Domain

live
The MetSimilar
Engaged Capitals by an unrecorded maker, The Cleveland Museum of Art

Engaged Capitals

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Double Capital

Unrecorded maker

late 15th century · Marble

Cleared · Public Domain

live
The MetSimilar
Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Double Capital

Unrecorded maker

late 15th century · Marble

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.