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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    187 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Fragment of Garden Stool with Openwork D"7 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by Painter of London D 12, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Painter of London D 12

second quarter of the 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Ceremonial digging stick by Chincha artist(s), The Metropolitan Museum of Art

Ceremonial digging stick

Chincha artist(s)

1200–1535 CE · Wood, paint, metal

Cleared · Public Domain

live
The MetSimilar
Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Sugar bowl with cover by Etienne Modenx, The Metropolitan Museum of Art

Sugar bowl with cover

Etienne Modenx (d. 1823)

1786–87 · Silver; glass

Cleared · Public Domain

live
The MetSimilar
Snuff bottle with woman in a garden by an unrecorded maker, The Metropolitan Museum of Art

Snuff bottle with woman in a garden

Unrecorded maker

18th century · Black lacquer inlaid with mother-of-pearl

Cleared · Public Domain

live
The MetSimilar
Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso) by Hubert Robert, The Metropolitan Museum of Art

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)

Hubert Robert (d. 1808)

ca. 1800 · Black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.