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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    386 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Fragment of a Band with Birds and Trees"8 records

Institutions answered newest-first by record, interleaved

Fragment of a Band with Birds and Trees by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Band with Birds and Trees

Unrecorded maker

1500s · Lace, Bleached linen (est.): needle lace, burato (twined ground and darned in one direction)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Band with Confronted Birds, a Formal Tree, and Smaller Animals by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Band with Confronted Birds, a Formal Tree, and Smaller Animals

Unrecorded maker

1500s · Lace, Bleached linen (est.): needle lace, burato (twined ground and darned in one direction)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragmentary Band, Probably Part of a Clavus by an unrecorded maker, The Cleveland Museum of Art

Fragmentary Band, Probably Part of a Clavus

Unrecorded maker

800s · Textile, tapestry; linen and wool

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment by an unrecorded maker, The Cleveland Museum of Art

Fragment

Unrecorded maker

1420–1955 · Textile, Silk: compound twill weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment by an unrecorded maker, The Cleveland Museum of Art

Fragment

Unrecorded maker

1420–1955 · Textile, Silk: compound twill weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment by an unrecorded maker, The Cleveland Museum of Art

Fragment

Unrecorded maker

1420–1955 · Textile, compound twill weave, silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragments by an unrecorded maker, The Cleveland Museum of Art

Fragments

Unrecorded maker

1420–1955 · Textile, Silk: compound twill weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tiraz with gold, probably from a wide sleeve by an unrecorded maker, The Cleveland Museum of Art

Tiraz with gold, probably from a wide sleeve

Unrecorded maker

1013–1020 · Textile, plain weave with inwoven tapestry weave: linen, silk, and gold filé

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.