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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    161 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 825 matching records exist across the two collections.

Results for "Fragment of a Base with Pair of Peacocks"12 records

Institutions answered newest-first by record, interleaved

Glass base fragment of a cylindrical bottle by an unrecorded maker, The Metropolitan Museum of Art

Glass base fragment of a cylindrical bottle

Unrecorded maker

2nd–3rd century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Fragment of a Luster Bowl with a Peacock by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Luster Bowl with a Peacock

Unrecorded maker

11th century · Stonepaste; painted under transparent glaze

Cleared · Public Domain

live
The MetSimilar
Fragment of a Base with Pair of Peacocks flanking a Palm Motif by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Base with Pair of Peacocks flanking a Palm Motif

Unrecorded maker

12th century · Stucco; molded

Cleared · Public Domain

live
The MetSimilar
Peacock (one of a pair) by Chelsea Porcelain Manufactory, The Metropolitan Museum of Art

Peacock (one of a pair)

Chelsea Porcelain Manufactory (d. 1784)

ca. 1755–58 · Soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar
Peacock (one of a pair) by Chelsea Porcelain Manufactory, The Metropolitan Museum of Art

Peacock (one of a pair)

Chelsea Porcelain Manufactory (d. 1784)

ca. 1755–58 · Soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar
Candlestick with octagonal base (one of a pair) by Georg Schäffer, The Metropolitan Museum of Art

Candlestick with octagonal base (one of a pair)

Georg Schäffer (d. 1800)

1757–63 · Gray agate, silver

Cleared · Public Domain

live
The MetSimilar
Candlestick with octagonal base (one of a pair) by Georg Schäffer, The Metropolitan Museum of Art

Candlestick with octagonal base (one of a pair)

Georg Schäffer (d. 1800)

1757–63 · Gray agate, silver

Cleared · Public Domain

live
The MetSimilar
Urn on square base (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Urn on square base (one of a pair)

Unrecorded maker

ca. 1770–80 · Egyptian Imperial porphyry; gilt bronze

Cleared · Public Domain

live
The MetSimilar
Urn on square base (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Urn on square base (one of a pair)

Unrecorded maker

ca. 1770–80 · Egyptian Imperial porphyry; gilt bronze

Cleared · Public Domain

live
The MetSimilar
Bowl with peacock (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Bowl with peacock (one of a pair)

Unrecorded maker

late 19th–early 20th century · Porcelain painted with overglaze polychrome enamels (Jingdezhen ware)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Column with base (one of a pair)

Unrecorded maker

19th century · Marble

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Column with base (one of a pair)

Unrecorded maker

19th century · Marble

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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