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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    292 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    403 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15,997 matching records exist across the two collections.

Results for "Fragment of a Bead in the Form of a Dais"12 records

Institutions answered newest-first by record, interleaved

Bead in the Form of a Date (?) by an unrecorded maker, The Metropolitan Museum of Art

Bead in the Form of a Date (?)

Unrecorded maker

ca. 1504–1447 BCE · Egyptian blue

Cleared · Public Domain

live
The MetSimilar
Bead in the Form of a Cornflower by an unrecorded maker, The Metropolitan Museum of Art

Bead in the Form of a Cornflower

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bead in the Form of a daisy by an unrecorded maker, The Metropolitan Museum of Art

Bead in the Form of a daisy

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bead in the Form of a Leaf by an unrecorded maker, The Metropolitan Museum of Art

Bead in the Form of a Leaf

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bead in the Form of a Mandrake Fruit by an unrecorded maker, The Metropolitan Museum of Art

Bead in the Form of a Mandrake Fruit

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Fragment of a Bead in the Form of a Daisy by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Bead in the Form of a Daisy

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Glass bead in the form of a rosette by an unrecorded maker, The Metropolitan Museum of Art

Glass bead in the form of a rosette

Unrecorded maker

early 1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass bead in the form of a rosette by an unrecorded maker, The Metropolitan Museum of Art

Glass bead in the form of a rosette

Unrecorded maker

early 1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Bead in the form of a rosette by an unrecorded maker, The Metropolitan Museum of Art

Bead in the form of a rosette

Unrecorded maker

330 · Silver, gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of a tile from the steps of a dais

Unrecorded maker

ca. 1290–1224 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of a tile from the steps of a dais

Unrecorded maker

ca. 1290–1224 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of a tile from the steps of a dais

Unrecorded maker

ca. 1290–1224 BCE · Faience

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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