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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    175 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    277 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 638 matching records exist across the two collections.

Results for "Fragment of a Border with Abstract Patte"12 records

Institutions answered newest-first by record, interleaved

Border fragment, figures with staves by an unrecorded maker, The Metropolitan Museum of Art

Border fragment, figures with staves

Unrecorded maker

4th–3rd century BCE · Camelid hair

Cleared · Public Domain

live
The MetSimilar
Border Fragment by an unrecorded maker, The Metropolitan Museum of Art

Border Fragment

Unrecorded maker

450–175 BCE · Cotton, camelid hair

Cleared · Public Domain

live
The MetSimilar
Sleeve Fragment with Floral Motives by an unrecorded maker, The Metropolitan Museum of Art

Sleeve Fragment with Floral Motives

Unrecorded maker

6th–9th century · Wool, linen; plain weave, tapestry weave

Cleared · Public Domain

live
The MetSimilar
Textile Fragment with Horses by an unrecorded maker, The Metropolitan Museum of Art

Textile Fragment with Horses

Unrecorded maker

7th–9th century · Wool, cotton; taqueté

Cleared · Public Domain

live
The MetSimilar
Sleeve Fragment with a Band with Fish and Blossoms by an unrecorded maker, The Metropolitan Museum of Art

Sleeve Fragment with a Band with Fish and Blossoms

Unrecorded maker

7th–10th century · Tapestry weave in polychrome wool and undyed linen on plain-weave ground of undyed linen; applied weft-pattern band in wool and undyed linen

Cleared · Public Domain

live
The MetSimilar
Fragment of a Border by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Border

Unrecorded maker

ca. 1185–1205 · Pot-metal glass with vitreous paint

Cleared · Public Domain

live
The MetSimilar
Fragment of a Border by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Border

Unrecorded maker

ca. 1185–1205 · Pot-metal glass with vitreous paint

Cleared · Public Domain

live
The MetSimilar
Section of a Border with Zigzag Pattern by an unrecorded maker, The Metropolitan Museum of Art

Section of a Border with Zigzag Pattern

Unrecorded maker

1200/1205–1223 · Pot metal and colorless glass, vitreous paint, and silver stain

Cleared · Public Domain

live
The MetSimilar
Section of a Border with Foliate Pattern by an unrecorded maker, The Metropolitan Museum of Art

Section of a Border with Foliate Pattern

Unrecorded maker

ca. 1230–40 · Pot-metal glass and vitreous paint

Cleared · Public Domain

live
The MetSimilar
Fragment of a Carpet with Cartouche Border by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Carpet with Cartouche Border

Unrecorded maker

late 16th century · Silk (warp and weft), wool (pile); asymmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Kaléidoscope: Ornements Abstraits"; Plate 12, Four Abstract Design Motifs

Maurice-Pillard Verneuil (d. 1942)

1926 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Kaléidoscope: Ornements Abstraits"; Plate 17, Six Abstract Design Motifs

Maurice-Pillard Verneuil (d. 1942)

1926 · Pochoir

In copyright

live
The MetSimilar

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