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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    410 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Fragment of a Capital"11 records

Institutions answered newest-first by record, interleaved

Fragment of a Capital with Scenes from Mary’s Infancy by The Cathedral of Monopoli, The Cleveland Museum of Art

Fragment of a Capital with Scenes from Mary’s Infancy

The Cathedral of Monopoli

early 1100s · Sculpture, fine-grained limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Capital with the Ox of Saint Luke by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Capital with the Ox of Saint Luke

Unrecorded maker

c. 1175–1200 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Talatat: Portrait of Nefertiti by an unrecorded maker, The Cleveland Museum of Art

Talatat: Portrait of Nefertiti

Unrecorded maker

c. 1353–1347 BCE · Sculpture, painted sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus

Unrecorded maker

1145–1165 · Sculpture, quartz sandstone with traces of polychromy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capitals by an unrecorded maker, The Cleveland Museum of Art

Engaged Capitals

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Brocaded velvet with chintamani design by an unrecorded maker, The Cleveland Museum of Art

Brocaded velvet with chintamani design

Unrecorded maker

late 1400s · Velvet, velvet, brocaded: silk and silver-metal thread

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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